50 Best Films of 2014 - #10 - #1

10. Guardians of the Galaxy

Not only a top ten of 2014 entry, but easily my favorite movie from the Marvel Cinematic Universe. One of my biggest complaints about some of the other films, specifically Iron Man 2 and Thor: The Dark World come to mind, were their attempts to be comedic yet completely failing at actually being funny. Thus I was concerned when I was told just how much of a comedy Guardians of the Galaxy would need to be, but boy did it deliver. Not just with laughs, with EVERYTHING. A joyous, exciting, heartfelt, clever blast of a picture.

9. The Babadook

If you knew me well, you would know how unheard of this is for me. I have a real hard time connecting to a horror film, as I usually think an interesting premise and creepy trailer ends up ruined by the same stupid and predictable tropes, bad writing and excessive gore. The Babadook is an Australian horror film, and it's bloody friggin' brilliant. If you are simply looking to be spooked, it's scary as hell. If you are looking for depth and characters to actually care about, you cannot go wrong here. The Babadook is a meaningful metaphor wrapped in an intense and terrifying film, and it works on every level.

8. Birdman

A completely brilliant, unique cinematic experience, Birdman was a joy to watch for it's fascinating narrative and amazing performances, but it went to a whole other level due to the technical genius on display throughout. This is actually a difficult movie to explain, you just need to see it and decide whether it works for you or not. Some have called it artsy nonsense, pretentious, and silly. I call it one of the best and most original pictures of 2014. 

7. The Tale of The Princess Kaguya

I was already a massive fan of the legendary Studio Ghibli, with My Neighbor Totoro and Spirited Away being their two masterpieces so far. I officially have a third movie to welcome into that category. The Tale of The Princess Kaguya is a completely spellbinding, heartbreaking piece of cinema that for me, despite also loving How to Train Your Dragon 2 and The LEGO Movie (both of which were in the previous list of ten), is by far the best animated work of 2014. 

6. Whiplash

I still get the chills whenever I think about the last 10 or 15 minutes of Whiplash, the most memorable sequence from any movie released last year. Seriously, it's so electric it made the hair on my arms stand up. That isn't to say that the rest of the film was lackluster in any way. Whiplash was destined to be one of the 15 or so best of the year, and then that finale happened, and I can't stop thinking about it over a month after witnessing it unfold. That's the power of incredible cinema, and what Damien Chazelle crafted here is just that.

5. The Grand Budapest Hotel

The masterpiece I had always been waiting for from Wes Anderson, The Grand Budapest Hotel is gorgeous on so many technical levels and also a brilliantly clever comedy. I had no idea how good Ralph Fiennes could be in a comedic role, and it certainly isn't easy to execute the quirky and odd material of a Wes Anderson, but he absolutely nailed it. Seriously, his timing is so spot on perfect I felt like I was grinning from ear to ear anytime he occupied the frame. 

4. Interstellar

Big, bold and ambitious filmmaking. I am a sucker for it, always have been and always will be. I can forgive a flaw or two because I am so mesmerized by the spectacle of the whole experience, which explains why Christopher Nolan's Interstellar lands as the #4 movie of the year. It isn't a perfect film, I cannot lie, but with every ever so slight issue I have with it, I am in jaw dropping awe of EVERYTHING else that worked so damn well. I saw it twice in theaters, and I can promise you there will be 20 more viewings at home coming in the future.

3. Winter Sleep

By far my favorite foreign film of 2014, and one worthy of inclusion into the top 3 overall and yet Winter Sleep isn't even nominated by the Academy. Ah, such is the complicated and confused relationship I have with those people in charge of Oscar nominations, but so be it. I just hope the lack of recognition doesn't stop people from seeking out and watching this gorgeous picture, and while my voice is small and unimportant, it won't stop me from continuing to scream it from the rooftops: Winter Sleep is a triumph of cinema and easily the finest acted movie of the year.

2. Gone Girl

I can't stop falling more and more in love with the work of David Fincher. Just when I think I couldn't admire the man and his vision on a deeper level, here comes Gone Girl, another cold and calculated thriller that entertained me endlessly and made my skin crawl with its ominous tone and perfectly unsettling performances. Based on the incredibly popular novel by Gillian Flynn, one of the aspects of this movie that really elevated it to new heights was the screenplay by that very same writer, with Flynn adapting her own work. It's one thing to come in and chop apart the words of someone else, but to do it to your own? To have the humility and intelligence to say to yourself, yes I wrote this, but a lot of it doesn't work when translated to the big screen? That's really something special.

1. Boyhood

Life. It's a fucked up, weird, heartbreaking, devastating, fascinating and beautiful thing, and it was encapsulated so poetically and gorgeously by Richard Linklater. Watching Mason grow up really resonated with me on multiple levels. Not long ago I was a kid growing up dealing with the bizarre and bullshit issues that accompany adolescence, and yet now I sit here with a 7 year old daughter and I can't believe how fast time has gone. Watching twelve years go by over the course of less than three hours with such a graceful and natural fluidity really made me think about the fact that time is relentless. All we can do is accept it and enjoy the ride.

If I Picked the Oscars - Best Picture

I have already laid out my personal nominations and winners for Best Actress (here), Best Actor (here), and Best Director (here) so here we are. Best Picture of the year.

As the Academy nominated 8 films this year, I will do the same. 

Birdman

It would be a crime to not include Birdman in the mix for Best Picture of the year, as unique films like this are so rarely given the recognition they deserve. The film works on every single level, as it can be appreciated for its excellent direction, the incredible performances, and for every single glorious technical achievement I picked up on throughout that practically had me drooling. This isn't just some one trick pony that will lose its luster on revisits either. Birdman is more of a, buy the Blu-ray, watch every single special feature to learn as much about the medium as possible, and then admire the movie for years to come.

The Tale of the Princess Kaguya

A best picture nominee for me, and yet it likely won't walk away with the Best Animated Feature award on Oscar night. This is how things usually work between me and the Academy, but I'm used to the disconnect. For me, The Tale of the Princess Kaguya is a work of art, a stunning slice of Studio Ghibli that, in time, will have it ranked up there among the previous masterpieces they have already released, like My Neighbor Totoro and Spirited Away. Quite simply, this is a sublime film.

Whiplash

Electric. So damn electric. Roughly a month since I sat down and lost myself in Whiplash and I can still feel the electricity pulsing through my veins, a film so expertly crafted and featuring a conclusion that literally had me on the edge of my seat. The power this work has had over me ever since it finished is intoxicating, I can't wait to see it again.

The Grand Budapest Hotel

I have said so, so many things about The Grand Budapest Hotel already, to wax poetic about it again here would be redundant. The Wes Anderson masterpiece I had been waiting for, it's as simple as that.

Interstellar

The grand ambitions of Christopher Nolan have paid off again, as Interstellar swept me off my feet and took me to places I have only dreamed of visiting before. I have mentioned before that I don't think this is a perfect film. I have heard some complaints that I honestly agree with. So why is it nominated for Best Picture then? Because I am a sucker for bold, big, and brash pieces of cinema, and I respect the hell out of a filmmaker who is willing to take the audience to places that will open up their minds to the wonders of paying the money it takes to go to the theater and experience a vision the way it was meant to be seen.

Winter Sleep

An absolute masterpiece and one of the finest examples of the beauty of performance art that I have seen in some time, Winter Sleep is easily the best foreign film I have witnessed this year and, in my world, one of the three best films of any kind, period. Remember that disconnect with the Academy I brought up earlier? Winter Sleep, somehow, wasn't even nominated in the Foreign Language category, let alone for Best Picture of the year. I have no comprehension how this oversight occurred, but no trophy or lack there of can challenge the way I feel about a work of art like this.

Gone Girl

If you go to the top of this post and click on the link to my previous post, regarding my nominations and winner for Best Director, you can read up on my deep, passionate love affair with the work of David Fincher. I am not going to go down that road again here, so I will just say this. Gone Girl is so perfectly crafted and so damn entertaining, I had a giant smile on my face throughout the entire experience when I saw it in the theater back in October. It is the type of movie that reminds me of why I love this particular medium so, so much. 

and the Oscar goes to...

Boyhood

Some who have seen Boyhood say nothing happens during the film. I say everything happens during it. Life happens during it, a story of living that is soaked in that magic realism that Richard Linklater loves to portray in his work. Some say that my love for the film is misplaced, that it is unworthy of such admiration. Tell that to the tears I shed during it's moments that are heartbreaking as well as those that inspire. 

Everyone has their own opinion, and mine is this: Boyhood isn't merely the best film of 2014. It is one of the greatest of all time.

If I Picked the Oscars - Best Director

Since I already covered the beautiful people that perform in front of the camera, time to acknowledge the brilliant work done behind it.

These would be my five nominees for Best Director if I were calling the shots, with the last one listed being the winner.

Christopher Nolan - Interstellar

I know a lot of people will disagree with me on this one, but I thought Interstellar was an incredible cinematic experience, and the confident, ambitious direction of Christopher Nolan was the star for me. Well, him and TARS as well. I will always favor filmmakers who have the guts to try something new, to dazzle an audience rather than play it safe and conventional. Interstellar dazzled the holy hell out of me.

Wes Anderson - The Grand Budapest Hotel

I have been a huge fan of Wes Anderson for a long, long time now, back to when my friends and I first discovered the comedic genius of his early pictures like Bottle Rocket and Rushmore, yet I always felt like his previous work was missing something. I couldn't quite put my finger on it, but I wondered if Wes would ever put it all together and unleash his masterpiece onto the world. It happened way back in early 2014 when The Grand Budapest Hotel hit theaters. Brilliantly written, perfectly shot, exquisitely performed and every technical aspect of the film felt award worthy, Wes won't win the award with me or with the Academy, but he certainly deserves the recognition of a nomination.

Alejandro Gonzalez Inarritu - Birdman

2014 was a year with a lot of unique and interesting cinema, but the work of Alejandro Gonzalez Inarritu combined with genius cinetographer Emmanuel Lubezki on Birdman was precise, confident and fascinating to witness unfold. As I said above with Nolan, I will ALWAYS favor the filmmakers who want to dazzle me, and you may notice a trend with my three nominations thus far. They all dazzled, and most importantly, they all did it in completely different ways. A lot of people say a movie was "like nothing they have ever seen before" to the point that it feels like such a statement has lost its luster, but I really have never seen anything like Birdman before, and I loved it.

Richard Linklater - Boyhood

If I were choosing the man who was behind my favorite film of the year, or my favorite storyteller of the 2014, Linklater would be at the top of the list, but as I am choosing the greatest achievement in direction I have him coming up just a bit short. His work on Boyhood was masterful and the film itself has a profound impact on me emotionally, and I'm thrilled the mainstream world is finally getting a chance to appreciate the ridiculous talent he is. His films are critically acclaimed and everyone knows what Dazed and Confused is, but the name Richard Linklater was still a name that, when mentioned, would typically be followed by the question "Who?". Hopefully that won't be the case anymore thanks to Boyhood. 

and the Oscar goes to...

David Fincher - Gone Girl

Yes, my adoration of Fincher shines through again in 2014, as I was mesmerized by his recent brooding thriller Gone Girl. Some may see my constant bouquet tossing at Fincher's feet and assume I blindly love his work no matter what, but that isn't the case, as proven from the fact that I can't work up the motivation to give The Curious Case of Benjamin Button a second chance. I simply love his style, I get lost in the stories he chooses to tell, and I could revisit his best films over and over and over again.

Gone Girl is one of his best, a dark and twisted yet brilliantly satirical look at both the modern media and marriage, and Fincher directs the hell out of this movie. It is so expertly crafted and entertaining, watching it is intoxicating. 

Plus, I'm still bitter about 2010. Tom Hooper? The Kings Speech? Don't even get me started.

If I Picked the Oscars - Best Actress

Despite already approaching mid-February, I'm just finally wrapping up my 2014 cinematic calendar and I thought it might be fun to figure out what my personal picks would be for the Oscars in the the following four categories: Best Actress, Best Actor, Best Director and Best Picture.

First up, Best Actress. These would be my five nominees and the last one listed is my pick to win the award.

Shailene Woodley - The Fault in Our Stars

So what if I am a 30 year old man who wept openly sitting in the theater watching The Fault in Our Stars? I'm not afraid to admit it. As I always say, I don't believe in bad genres or the notion that I shouldn't like something because I am not the target audience, in regards to age or gender. It's very simple really, a good film is a good film, and The Fault in our Stars is just that. A huge reason why it worked so well for me is the completely natural, heartbreaking performance by Shailene Woodley. After I saw the film I mentioned that I was rooting for her to make some noise come awards season, but I knew it was a long shot. In my world she still makes the top five.

Essie Davis - The Babadook

I really hope The Babadook finds the massive audience it deserves, because everyone involved deserves a ton of credit for being a part of a truly great horror film, one with a ton of depth and a powerful message about grief bubbling under the terrifying surface. I can barely find the words to express how brilliantly measured and chilling the performance of Essie Davis is here in the lead. If you haven't seen the film yet yourself, do it. Ba.-ba....doooooooook!

Melisa Sozen - Winter Sleep

Winter Sleep is one of the best films of 2014 and the across the board remarkable performances are a huge reason why. I could rave for hours about the entire ensemble, but if asked to narrow it down and pick one from the group, Melisa Sozen does some quietly powerful, astonishing work. During various dialogue heavy sequences involving her character, Nihal, I simply couldn't take my eyes off of her. Completely brilliant while never being flashy, she steals scenes without even trying.

Rosamund Pike - Gone Girl

Psychotic, beautiful, deranged and timeless, Rosamund Pike in Gone Girl manages to both give me nightmares and yet also feel as if she could have come straight from playing the love interest in a classic Hitchcock film. An absolutely mesmerizing performance as Amy Dunne, I have watched the film twice and my admiration for her managed to grow the second time around. I honestly don't know if I have ever seen her act before this, but I don't need any bigger sample size to determine that with the right material, Rosamund is clearly a breathtaking talent. I hope she continues to take on more fascinating, challenging work, because the range she shows in Gone Girl is incredible.

and the Oscar goes to...

Julianne Moore - Still Alice

If this had been a best performances of the year list, regardless of gender, Julianne Moore in Still Alice would still be at the top of my list. As I said in my review of the film (which can be found here), this was beyond heartbreaking work by Moore. Her portrayal of Alice Howland is devastating, rendering me speechless and literally feeling the hurt as I thought about the tragedy that is Alzheimer's disease long after the movie ended. I am extremely confident the Academy and I will see eye to eye here, as anyone else accepting that trophy on February 22nd would be shocking and unfortunate.

Oscar Nominations 2015 - Final Predictions

My how things have changed since the first time I did nomination predictions a couple of months ago (which can be found here). I didn't even factor in the possibility of The Grand Budapest Hotel would be such a major player for Best Picture, considering it's March release date and quirky Wes Anderson nature, but there it was winning the trophy in the comedy or musical category the other night at the Golden Globes.

With the Oscar nominations being released early Thursday morning, here are my final predictions of who will be recognized in each category. Of course, after they are released and I my guesses are proven to be horribly wrong, I will then make some predictions of who will win of the actual nominees. I won't even bother picking winners now, merely nominations.

BEST PICTURE

Boyhood
The Grand Budapest Hotel
The Imitation Game
Birdman
Gone Girl
Nightcrawler
Whiplash
Selma
Foxcatcher


I know the past few years the number of films nominated for Best Picture has turned out to be nine, so I will just continue the trend and pick that amount here. If a tenth film were to be slotted it, it would likely be The Theory of Everything, but I will continue to believe that voters will see what I saw: amazing performances insider a pretty standard, good but not great biopic.

If the list above does actually pan out, I will be thrilled. So many personal favorites among the nominees, with my top two films of the year being Boyhood and Gone Girl, and my current 4, 5, and 6 being Whiplash, The Grand Budapest Hotel and Birdman. While Nightcrawler sits just outside my top ten, I am rooting for it to be nominated not only because it is a great film worthy of the recognition, I also will appreciate what it will represent since it is typically the type of work that would be acclaimed critically but ignored by the academy.

BEST DIRECTOR

Richard Linklater, Boyhood
Alejandro Gonzalez Inarritu, Birdman
Wes Anderson, The Grand Budapest Hotel
David Fincher, Gone Girl
Morten Tyldum, The Imitation Game

With the potential love thrown in the direction of films like Whiplash and Nightcrawler (and I complain about neither receiving support), Fincher and/or Tyldum could be left off this list for either Damien Chazelle or Dan Gilroy, and you absolutely cannot count out Bennett Miller for Foxcatcher. Oh, and Clint Eastwood garnered a DGA nomination for American Sniper today, yet for some reason I can't shake the idea that the Academy will not follow suit. The only one of the films I listed as nominations that I haven't yet seen is The Imitation Game, so it wouldn't be fair of me to root against Tyldum in favor of one of these other possibilities.

BEST ACTOR

Michael Keaton, Birdman
Eddie Redmayne, The Theory of Everything
Benedict Cumberbatch, The Imitation Game
Jake Gyllenhaal, Nightcrawler
Ralph Fiennes, The Grand Budapest Hotel


Going with a bit of a surprise here with Fiennes, but I can feel the love for The Grand Budapest Hotel that I was never expecting and my goodness what a delightful performance it is. My four favorite single lead performances of 2014 would be recognized here if these picks did pan out, with only Cumberbatch not a part of the mix for me and that is due to my not seeing The Imitation Game yet.

BEST ACTRESS

Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild
Felicity Jones, The Theory of Everything
Amy Adams, Big Eyes

Another surprise pick at the end of that list, although it may not seem like it since Amy Adams just walked away with a Best Actress prize Sunday night at the Globes. That award was specific for her role in a comedy film, and thus the daunting task is trying to sneak in against the dramatic contenders. It seems like Jennifer Aniston would be the choice for that fifth spot for her film Cake, but I just have a gut feeling we hear Amy Adams instead. She seems to be recently beloved by the academy, nominated for an Oscar three of the last four years, and I expect that to continue here.

BEST SUPPORTING ACTOR

J.K. Simmons, Whiplash
Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
Robert Duvall, The Judge
Ethan Hawke, Boyhood

One of the few categories that I expect no surprises in. These are the five names that are likely to be recognized and I believe they will.

BEST SUPPORTING ACTRESS

Patricia Arquette, Boyhood
Emma Stone, Birdman
Keira Knightley, The Imitation Game
Meryl Streep, Into the Woods
Jessica Chastain, A Most Violent Year

Much like supporting actor, the expected five are the names I predicted above so I am anticipating no surprises. Although watch out for Tilda Swinton for her bizarre yet fantastic turn in Snowpiercer.

BEST ORIGINAL SCREENPLAY

Alejandro Gonzalez Inarritu, Birdman
Richard Linklater, Boyhood
Wes Anderson, The Grand Budapest Hotel
E. Max Frye and Dan Futterman, Foxcatcher
Dan Gilroy, Nightcrawler

This category got very interesting when they deemed that Whiplash would be considered an adapted screenplay rather than original, a very strange decision as what the film is adapted from was literally a scene from the actual film that was released as a short to raise the funds to help make the full movie. Sounds confusing when I read that back, but I'm not sure how to work it better.

Whiplash seemed to be a shoe in for an original nomination, so that decision frees up a spot.

BEST ADAPTED SCREENPLAY

Gillian Flynn, Gone Girl
Graham Moore, The Imitation Game
Nick Hornby, Wild
Paul Thomas Anderson, Inherent Vice
Damien Chazelle, Whiplash


That vacated spot on the original side of the ballot means Whiplash gets to take one of the adapted spots from a film hoping for it, likely the work of Anthony McCarten for The Theory of Everything. Likely the only category that Inherent Vice will be recognized for, which is a shame.

BEST EDITING

Boyhood
Birdman
Gone Girl
Whiplash
Interstellar


It is very, very likely that Interstellar will be overlooked her for something like The Imitation Game, but I can hold out hope for as many nominations as possible for my third favorite film of the year, since I am pretty certain it will be ignored in all of the major categories I already covered.

BEST CINEMATOGRAPHY

Birdman
The Grand Budapest Hotel
Mr. Turner
Unbroken
Interstellar


Likely the only nomination for Unbroken, which is a good thing because the only aspect I would want that misfire of a film to receive recognition for would be the work of the amazing Roger Deakins (and even his cinematography left me underwhelmed to be honest). Again, rooting for the technical recognition for Interstellar.

BEST PRODUCTION DESIGN

Interstellar
The Grand Budapest Hotel
Into the Woods
Birdman
The Imitation Game


Interesting to see if Mr. Turner gets a nod here as I expect it will for cinematography, very much a possibility it knocks The Imitation Game out of that last spot.

BEST SOUND MIXING

Interstellar
Into the Woods
Whiplash
American Sniper
Dawn of the Planet of the Apes


Sound mixing is typically the category where you see a shitty movie like a Transformers 4 get nominated, so you never know, something like that could sneak in.

BEST SOUND EDITING

Interstellar
Into the Woods
Whiplash
Birdman
American Sniper

See above for possibility that Transformers 4 finds another nomination.

BEST COSTUME DESIGN

Into the Woods
The Grand Budapest Hotel
The Imitation Game
Mr. Turner
Belle

Should be really interesting to see who wins this one between Into the Woods and The Grand Budapest Hotel, both have such inspired costume design.

BEST ORIGINAL SCORE

Gone Girl
Unbroken
Interstellar
The Theory of Everything
The Imitation Game

I watched every second of The Theory of Everything closely, and I can barely remember a single note of music from the film. The score did nothing for me, it felt like standard biopic material, but it shocked the holy hell out of me by winning the Golden Globe. I guess that means it scores a nomination here.

*I was informed after posting this that the Birdman score was deemed ineligible by the Academy. This means I begrudgingly slide Unbroken into the vacant spot.

BEST FOREIGN LANGUAGE FILM

Force Majeure
Ida
Leviathan
Wild Tales
Tangerines

Of these nominees, I have only seen Ida (it is very good)...that is going to have to change prior to the Oscars so I can have a better understanding of the competition.

BEST DOCUMENTARY

CitizenFour
Life Itself
Last Days in Vietnam
The Overnighters
Virunga

This is a category that seems to have the potential to surprise some people, so while I haven't seen a ton of recognition for the Netflix Original film Virunga yet, I have a gut feeling it pops up here.

Have to see CitizenFour still, since that appears to be the major competition for Life Itself which is a wonderful, beautiful film.

BEST ANIMATED FILM

The LEGO Movie
How To Train Your Dragon 2
The Tales of Princess Kaguya
Big Hero 6
The Boxtrolls

The first two films listed above both currently sit in my top ten of 2014, so safe to say I am a fan of animation this past year. Still need to see The Tales of Princess Kaguya, I admire the work of Studio Ghibli so much so I am expecting to love it as well.

BEST VISUAL EFFECTS

Interstellar
Dawn of the Planet of the Apes
Guardians of the Galaxy
Transformers 4
Godzilla

Yes, I presented the possibility of two Transformers 4 nominations above, and here I flat out believe it will be among the five. Gotta love the technical categories, they make a Michael Bay film appear to be more accomplished than something like Inherent Vice.

As for the other four films listed, I would love to spend a weekend watching those on Blu-ray while laying on the couch. That would be a blast.

BEST ACHIEVEMENT IN MAKEUP

Birdman
Into the Woods
The Grand Budapest Hotel
Dawn of the Planet of the Apes
Guardians of the Galaxy

Another potential showdown between Into the Woods and The Grand Budapest Hotel.

BEST SONG

"Glory" by Common and John Legend, Selma
"Big Eyes" by Lana Del Rey, Big Eyes
"Mercy Is" by Patti Smith, Noah
"Yellow Flicker Beat" by Lorde, The Hunger Games: Mockingjay Part 1
"Opportunity" by Sia, Annie


Same five nominees as the Golden Globes, and gut feeling the result is the same with "Glory" taking home the trophy. Not an official pick, just seems likely at the moment.

BEST ANIMATED SHORT

Feast
Duet
Coda
The Bigger Picture
Footprints


For anyone who has not seen in, Feast is a wonderful animated short. Touching, heartfelt stuff.



BEST DOCUMENTARY SHORT

Crisis Hotline: Veterans Press 1
The Lion's Mouth Opens
One Child
Our Curse
Joanna


I read about these shorts and I always want to see them before the Oscars, but I never seem to. Need to find a way to start so I can have a better understanding of what makes them award worthy prior to the ceremony.



BEST LIVE ACTION SHORT

Carry On
The Phone Call
Boogaloo and Graham
Aya
Baghdad Messi


Same as above, would love to see some or all of these before the Oscars take place. All I know is that these are titles mentioned as possibilities for the category, so I just kind of blindly picked.

Thursday morning the nominations will be announced and I will find out how I did, and then I will make some predictions of who will actually win after that. The Golden Globes felt like a preseason game, and here comes the real thing. Very excited.

My Unofficial 20 Favorite Films of 2014 - #10 - #1

The ten best films I have seen thus far in 2014. My official list will be posted the day of the Oscars, once I have had a chance to catch up with everything I am yet to see.


10. The Babadook

My Review of The Babadook


As solely a horror film, The Babadook is fantastic. Chilling, dark, and amazingly crafted, this is a movie that I would revisit every October when the crisp air outside feels ripe for a scare, but that alone doesn't put it in my top ten of the year thus far. No, what elevates this work is the fact that it is so much more than a seasonal thrill. The story of a grieving mother and son and the symbolic depth of what we see being a representation of their pain, The Babadook is far more than a scary creature in a children's book, and the work of first time director Jennifer Kent knocked my socks off.


9. Nightcrawler

My Review of Nightcrawler

Gloomy and atmospheric, the directorial debut of Dan Gilroy is an eerie and incredibly entertaining work featuring an Oscar worthy performance from Jake Gyllenhaal playing quite possibly the best character of the year, Lou Bloom. This film has everything, giving me chills down my spine yet also making me laugh out loud on multiple occasions. A smart, stylish and totally unique movie.


8. The Raid 2

I have never been the type of guy who gets a kick out of strictly action films. Entertaining at times, sure, but typically very shallow and lacking any real depth any memorable impression on me in the long run. Suddenly along came The Raid, a movie that is pretty much only balls to the walls action with absolutely no substance to grab onto...yet I completely, utterly loved it. Well, this year we got to witness the sequel and it was far more story oriented, much more ambitious and the result was a brilliant crime epic. The incredibly choreographed action is still there, but it's a part of a much richer experience overall.


7. The LEGO Movie

My Review of The LEGO Movie


Without a doubt the surprise of the year for me, The LEGO Movie is a hilarious, touching, clever blast of fun, a film I would have never expected would be in my top ten of the year come time to start putting out a list. It had me solely as a comedy but then that third act happened and, well, wow. Pretty brilliant stuff, especially with a revisit when you know the end and can admire everything that lead up to it.


6. The Grand Budapest Hotel

My Review of The Grand Budapest Hotel


I have been a fan of Wes Anderson for quite some time, but in 2014 he finally put together a complete, perfectly realized feature for the first time in his already fantastic career. Every frame was so focused with so much attention to detail, and the amazing cast wonderfully handled his typically brilliant screenplay with ease.


5. How to Train Your Dragon 2

My Review of How to Train Your Dragon 2


I was one of the few I know of that felt that the first How to Train Your Dragon film was the best animated feature of 2010, which doesn't seem like that bold of a statement if it weren't the same year that Toy Story 3 was released. Well, as of right now its sequel sits atop my animated list of 2014, with only the most recent work from Studio Ghibli potentially standing in its way. A great sequel that matured much like the characters it depicts and I love the risks taken with the storytelling of a film deemed for kids. The plan all along was for a trilogy, and I cannot wait to see how they conclude the story of Hiccup and Toothless.


4. Guardians of the Galaxy

My Review of Guardians of the Galaxy


I listed Captain America: The Winter Soldier during the first part of my list of 20 films, and I mentioned the down year for Marvel in 2013 in terms of quality. I had no idea that something even better would come along from that same cinematic universe in 2014, but that is just what happened when Guardians of the Galaxy was released. A perfect balance of fun, heart, fantasy, adventure, and an imaginative use of an unexpected musical score, I expected to enjoy this film based on the trailers but I had no idea just how much I would love it.


3. Interstellar

My First Review of Interstellar

My Second Review of Interstellar


I am always willing to forgive some flaws if they occur during a work that is incredibly ambitious, and that is exactly why I ranked Interstellar this high despite it not exactly being a perfect film. To some the length of this movie seems daunting, but I actually wish it would have been longer. I would have loved to experience more on Earth before the long journey begins, to have these characters further fleshed out, but unfortunately the first act did end up feeling rushed. However, the overall scope of the film and the nature of the science fiction storytelling absolutely dazzled me, and the eerie, old school musical score used during tense moments in space hit notes inside me so profoundly, I know I will admire it for years to come.


2. Gone Girl

My Review of Gone Girl


David Fincher does it for me again, as the modern king of thrillers delivered another outstanding gem in 2014, an adaptation of the hit novel of the same name. Dark, disturbing, and yet devilishly funny and entertaining, with a great lead performance from Ben Affleck and an even better turn from Rosamund Pike as his wife Amy, everything I admire about the work of Fincher is on display here and despite knowing the entire story in advance, I was riveted from start to finish.


1. Boyhood

My Review of Boyhood


At the end of my review of Gone Girl, I mentioned that it may be the new champion of 2014. This was nearly true, but it proved to be just a bit hyperbolic after I reevaluated the true genius of the work of Richard Linklater, his masterpiece Boyhood. An incredible film that hit me from multiple angles, both as a thirty year old who still recalls what it was like to grow up and struggle with adolescence and also a thirty year old who is raising a seven year old in this world. I love to see her progress and grow each day, but time seems to be moving far too fast for my liking. The fluidity of this film, the way twelve years moves by with grace and ease over a span of less than three hours, and the brilliant simplicity of the editing which never needed to be flashy but demanded precision to pull off the project, everything about the craftsmanship of Boyhood is sublime. Without a doubt, my favorite film of 2014.

Still so much to see from now until February 22nd, the day of the Academy Awards which will also be the day I post my official list of favorites from 2014. Make sure to check out how things change from now until then, and if you get a chance, watch some of my picks from the year thus far. Hopefully you love them just as much as I do.