Showing posts with label back to the future. Show all posts
Showing posts with label back to the future. Show all posts

Tuesday, April 21, 2015

Decades of Cinema - 10 Best of the 1980's




My previous "Decades" lists are as follows: 1920's1930's1940's1950's1960's, and 1970's. Here we are in the decade I was born in, the 1980's. These are my ten favorite films released during those ten years.


10. Blade Runner



On the previous list I included a science fiction masterpiece by Ridley Scott, a little film you may have heard of called Alien. Here we are again with the same director and the same description. Ridley is pretty hit or miss with me over the course of his whole career, but he went back to back with Alien and then Blade Runner. For that I will always love him.


9. Back to the Future


Much of my lists for both the 80's and the 90's will be soaked in nostalgia for me, films that I have wonderful memories of watching on repeat growing up. Back to the Future is one of those. Just thinking about this one fills me with joy.


8. Full Metal Jacket



This, however, is not one of those films I am referring to when I mention nostalgia. I saw Full Metal Jacket once when I was a teenager and I don't recall feeling too much in either direction regarding it. As an adult though, things changed and I fell in love. Stanley Kubrick follows the narrative of the source material the film is adapted from (The Short-Timers, by Gustav Hasford) and separates the movie into two halves, the first being the iconic boot camp sequence and the second being a more traditional horrors of war story. As a whole, it is remarkable.


7. Grave of the Fireflies



Oh, was I just talking about war? Well here we go again with more on the subject, the beautiful yet heartbreaking Grave of the Fireflies. I cried so damn much when I watched it. Seriously. One of the finest by Studio Ghibli, but not the finest. More of their brilliance to come...


6. The Shining



The third decade and fifth film overall on these lists by Stanley Kubrick, and it won't be the last either. The Shining is sublime horror, the kind that would keep a younger me up at night.


5. Aliens



My love for the original Alien flourished the older I got, as adult me found much more appreciation in its nuance than kid me ever could have. Aliens, however, this had childhood Scott written all over it. Ripley kicked my young ass on repeat and I literally had nightmares I can still remember today, vivid and intense dreams involving xenomorphs crawling into my room.


4. My Neighbor Totoro



I promised more Ghibli above and I have delivered! My Neighbor Totoro...animation doesn't get much more gorgeous, touching and imaginative than this. A masterpiece that demands to be seen, regardless of your age.


3. Cinema Paradiso




I recently posted my review of the treasure Cinema Paradiso, one of the truly great love letters to cinema the medium has ever produced. This one doesn't just have a beating heart, it is bursting with passion and emotion. If you watch this and don't have a smile on your face during much of the running time, color me surprised.


2. Star Wars Episode VI: Return of the Jedi



A best of 1980's list was never not going to have a Star Wars flavor to it. The holy trilogy pretty much defined my 80's, 90's, hell I still can't quench my thirst for them to this day. So yeah, I bet you can guess how the list will end...


1. Star Wars Episode V: The Empire Strikes Back



Up until a year or two ago, Star Wars Episode V: The Empire Strikes Back wouldn't merely have been my favorite film from the 1980's, it was my favorite movie period. Now it sits at #2, with my favorite still to come in a future list. The Empire Strikes Back has quite possibly the greatest pacing of any film I have ever seen. Despite it happening during roughly my 100th viewing just a year or so ago, it occurred to me for the first time that somehow, almost impossibly a picture so packed to the brim with iconic scenes, famous quotes and recognizable imagery is only right around two hours in length yet it also never feels even slightly rushed. It just happens, and it does so with perfection. 




Next up will be the 1990's, a decade in which I went from being a 6 year old watching films way too mature for me to a 15 year old who finally started to understand what they meant. One of the movies on that list is represented with the picture above.




Wednesday, December 17, 2014

100 Favorite Films - #60 - #51

A continuation of my list counting down my 100 favorite films of all time.


60. Rope (1948)



When the name Alfred Hitchcock is mentioned, instantly the mind races through classics like Psycho, Vertigo, Rear Window and The Birds, and understandably so, but Rope is a masterful film that seems to not get enough credit. During the very first scene of the movie, we witness a murder, a tragedy for no real purpose beyond the thrill the two killers get from doing it.

While the story taking place on screen is chilling enough, the innovative style of Rope is part of the reason I fell totally in love with it. Hitchcock used a series of long takes, each roughly ten minutes in length, and then the picture was edited in a way that it appears as if the camera never once cuts. It as if we are a fly on the wall and were able to witness something deranged, and the camera pans around and brings us incredible frames that bring exactly what we need to see into focus at that moment. A masterpiece of tension building and technical wonder.


59. Rashomon (1950)



For the most part I am still shamefully unfamiliar with the work of Akira Kurosawa, but Rashomon is one I know very well and a film that has left a powerful mark on cinema as a whole. The structure of the storytelling was game changing at the time, as the plot revolves around multiple people telling their differing version of events regarding the same incident, and the end result is a remarkable film about morality and the untrustworthy nature of storytelling.


58. Baraka (1992)




No narrative, no voiceover, yet nothing short of spectacular. Baraka is a documentary film that explores themes with surprising depth and clarify despite merely being a series of powerful imagery from across the world. The themes being explored need no explanation because if you are watching closely, they will reveal themselves in meaningful, unforgettable ways.


57. Fargo (1996)



The Coen brothers have mastered the art of crafting films that are both dark comedies and thematically rich dramas, and Fargo is a sublime example of this. At times jarringly heartbreaking yet also hilariously scripted and performed, Fargo manages to deliver a little bit of everything over the course of 98 incredible minutes.


56. Inception (2010)




Ultra ambitious and massive in scope, Christopher Nolan transitioned from Gotham to a science fiction marvel involving the ability to enter dreams and thus alter real life. I remember vividly how in love with the Inception trailer I was, practically watching it on repeat for months leading up to its summer release. The actual film did not disappoint.


55. Mulholland Drive (2001)



Instantly I knew I was in love with Mulholland Drive yet if you would have asked me why after the first time I saw it, the answer would have been similar to "It's creepy and weird and I love it." Vague, sure, but the picture is so confounding I still to this day find it difficult to put into words what I extract from the experience. What David Lynch crafted here is likely not something often referred to as "mediocre" or "average", because it has all the makings of a polarizing work that you either cherish or admonish for its abstract nature. Count me among those that hold it in high regard.



54. Donnie Darko (2001)




Speaking of head scratching cinema, from the very same year as Mulholland Drive comes my next film, Richard Kelly's Donnie Darko. A very young Jake Gyllenhaal plays the lead role as Donnie, and the film revolves around his search for meaning and understanding after experiencing bizarre visions warning him of an approaching Doomsday. The most often reaction to this film after a first viewing is also to search for meaning and understanding, and it took a few revisits for me to form an opinion of what actually occurs in the end. I find Donnie Darko to be a meaningful and fascinating cinematic journey.



53. Gone Girl (2014)



My Review of Gone Girl

If it weren't such a recently released film, I honestly might have it ranked even higher, but it demands a second viewing for me to cement down my initial thoughts, which were that this is quite possibly the finest work by director David Fincher to date. Gone Girl is a dark, gloomy, beautifully made thriller that also serves as a very clever satire of both the struggles of marital life and of the landscape of American media. I was wrapped up in this one from beginning to end, and Rosamund Pike is a revelation, a performance that reminded me of a perfect combination of old and new Hollywood. I feel like she both could scare the piss out of me here yet also time travel to 60 years ago and star along side Jimmy Stewart in a Hitchcock film. So good.



52. Hana-Bi (Fireworks) (1997)



Written by, directed by, edited by and starring Japanese filmmaker Takeshi Kitano, the man does it all and what he poured his heart and soul into is a beautiful film called Hana-Bi, released in the United States under the title Fireworks. Kitano plays a cop named Nishi who feels compelled to quit the force after his partner is badly injured during an incident and is relegated to a wheelchair. With his retirement, Nishi now has the time to look after his ailing wife Miyuki who is fighting a battle with leukemia, and the film explores their relationship along with the added tension of Nishi owing money to the Yakuza with no means to pay them back.

This is a film I credit for my love of cinema, as I saw it at a time when I didn't understand what an art form the medium could be, and Hana-Bi really opened my eyes.



51. Back to the Future (1985)




What do I really need to say about this one? A blast to the past from director Robert Zemeckis, Back to the Future is a film I was raised on since childhood, a VHS tape that I wore down from so many viewings. The film was and continues to be a massive success and it deserves it, as it remains an important piece of pop culture and a quotable, beloved film even roughly thirty years later.




50 down, 50 to go. Above is an image from a film that will appear on my next list of ten.