Blackhat Review

As I have never seen his beloved debut film Thief, my Michael Mann filmography begins in 1986 with Manhunter and it is a film I love, the chilling cinematic beginning to the story of Hannibal Lecter. In 1995, he unleashed the incredible heist drama Heat featuring an incredible cast and superb storytelling that hooks me from beginning to end despite it's rather lengthy running time. Four years later it was The Insider, probably my favorite Michael Mann film, a pitch perfect drama based on the true story of big tobacco whistle-blower Jeffrey Wigand.

The point is, I would consider myself a Michael Mann fan, yet with his most recent work Blackhat I made absolutely no connection.

Blackhat focuses on the FBI's search for cyber criminals and it quickly delves into a familiar trope: we need help solving this puzzle, and one of the only guys who can do it is in prison for the very same thing. That is how Nicholas Hathaway (Chris Hemsworth) goes from behind bars to working to bring others to justice, and so the narrative of the picture goes with him, and frankly, it's pretty boring stuff. From the drab aesthetic to the completely run of the mill screenplay, Michael Mann is capable of far more interesting material. The fact that this is his first release in five years makes this all the more surprising, as I recall hearing the news of a cyber crime thriller from him starring Chris Hemsworth on the way, and I rubbed my hands together and expected to smell something delicious by the time it was done.

It isn't that the meal ended up tasting bad, just bland and forgettable, which considering the talent involved is extremely disappointing. Far worse films have already been released in 2015, and I am sure a lot more are on the way, but I will probably remember those even if it is for the wrong reasons. Years from now I will have to Google Blackhat to recall what it even was.



2.5/5

100 Favorite Films - #70 - #61

A continuation of my list counting down my 100 favorite films of all time.


70. Terminator 2: Judgement Day (1991)

I thought this was the coolest movie ever when I saw it as a kid. I think it is pretty damn cool as an adult, too.

Terminator 2: Judgement Day is one of those sequels that actually managed to rise above the original, and to be clear, I am a fan of the first one as well. The special effects were ground breaking and the action is intense and overwhelmingly fun, and the connection between a boy and a terminator actually managed to be pretty moving stuff. I revisited this film not too long ago and I had the biggest smile on my face, probably similar to the one I had back then.


69. A Man Escaped (1956)

My Review for A Man Escaped

On my previous list I included the film Stalker by Andrei Tarkovsky and I mentioned that he was quoted as saying the only two opinions he cared about with his film were Robert Bresson and Ingmar Bergman. A Man Escaped is a Bresson work that I treasure, a brilliant drama about a man named Fontaine, a member of the French Resistance who is incarcerated and vows to figure out a way to escape before his death sentence is carried out. Most of what happens throughout the film takes place inside his cell, making us feel just as claustrophobic and trapped as Fontaine, and the results are beyond riveting.



68. The Insider (1999)

Based on the true story of the controversy and chaos that surrounded an interview with Jeffrey Wigand on the show 60 Minutes, this is an expertly crafted film by Michael Mann. Wigand was an employee in the tobacco industry and he went against his confidentially agreement to do the interview, and the film highlights just how far a major corporation will go to keep their public perception from being tainted. Sure, the film is likely over-dramatized for entertainment purposes but that usually comes with the the territory for entertainment derived from true events. The Insider is a gem.


67. Moon (2009)

Duncan Jones may not be a household name like his father David Bowie, but his assured, compelling debut film Moon certainly put him on the map. A minimalist work of science fiction, a man named Sam Bell (played brilliantly by Sam Rockwell) is in the midst of a three year contract working on the moon, extracting a gas that has the potential to reverse the energy crisis taking place back on Earth. Back home a beautiful wife and daughter await him and Sam is eager to escape the isolation he feels from a lack of human interaction, but after an accident occurs secrets are revealed about the motivation of the company that hired him and his now questionable future.

An emotionally stirring, thematically rich film, if you haven't seen Moon yet check it out.


66. The Spirit of the Beehive (1973)

My Review of The Spirit of the Beehive

Perplexing, symbolic, and imaginative, The Spirit of the Beehive was the debut film by Victor Erice and is the influence behind Guillermo del Toro making the modern masterpiece Pan's Labyrinth. The film has a natural, gorgeous glow to it, as if you spend the entire feature stuck inside a beehive, and the concept of a child becoming lost in a film in order to escape her reality is one that really resonates with me.


65. Jurassic Park (1993)

One of the finest blockbuster films ever made, Jurassic Park is a cinematic spectacle that evokes terror and delight from the audience, and I still remember being totally in awe of every single moment when I saw it on the big screen as a child. Despite being released over twenty years ago now, nothing about this work feels dated and the special effects still completely hold up against more recently released summer fare. The magic of the park is still alive with every single viewing.


64. The Dark Knight (2008)

The single greatest superhero film ever made, Christopher Nolan's middle installment of his Batman trilogy transcends the sub-genre because in actuality it is a brilliant crime thriller that just so happens to feature iconic comic book characters. Heath Ledger is the definition of perfection in his turn as the Joker, a role that posthumously won him an Academy Award, and every gritty moment of The Dark Knight is top notch entertainment.


63. Modern Times (1936)

My Review of Modern Times

Charlie Chaplin brought quite a few fantastic silent features to the cinema, but for me none have more heart and imagination and entertainment value than Modern Times, a film filled with tons of laughs but also an emotional pulse that beats through the story and the central romance. Taking place during the Great Depression, the film is remarkably relevant even today as our recent economic recession makes the concept of love transcending financial wealth all the more poignant.



62. Fight Club (1999)

A film that is already firmly established as a contemporary classic, Fight Club is a remarkably entertaining social satire that is so expertly put together by David Fincher it almost defies logic. Honestly, I still recall the first time I saw a trailer for the film and I assumed I was going to absolutely loathe it. A club of dudes fighting each other in basements? Nothing could sound more boring, which is why my mind was blown when I actually got a chance to witness this unlikely masterpiece.



61. Full Metal Jacket (1987)

I know for many this is a film that is made up of a masterful first act and then a disappointing second, but I actually appreciate the entire experience that is Full Metal Jacket. Sure, the first half telling the story of Leonard Lawrence, nicknamed "Gomer Pyle" after quickly standing out to Gunnery Sergeant Hartman for all the wrong reasons, is far more memorable than the rest of the film. In fact it is probably one of the most memorable and beloved halves of a film in cinematic history, but I still admire the brutal anti-war sentiments of Stanley Kubrick that seep out of the narrative of the second half of the film.

The next list will continue on with #60 through #51. Above is an image from a film that will appear on that list.

Nightcrawler Review

Nicolas Winding Refn wasn't even on my radar prior to my witnessing the recent neon soaked urban masterpiece Drive, a film that navigated the streets of Los Angeles in a way that can only be described as cool. He had previous films under his belt, but in my world it was his debut into my cinematic soul and I couldn't wipe the smile off of my face no matter what was taking place on the screen. Deranged deaths and the gloomy haze of a polluted city at night, it all tasted delicious and I wanted more, but who could duplicate such a vibe? Others have extracted a similarly strange sex appeal from content that should never make a level headed human being aroused, filmmakers like Michael Mann and David Fincher off the top of my head, but would I ever discover something new that would impact me the way Drive did?

I'm not 100 percent sure I can put you on that pedestal just yet, Dan Gilroy, but I know at the very least you came really, shockingly close.

Nightcrawler tells the story of a man named Lou Bloom, played so well by Jake Gyllenhaal that I can't even decipher what the proper adjectives would be to make anyone reading this understand, so I will circle back to that with a clearer mind soon. Bloom is looking for a job, and after some initial failings in that regard he stumbles upon a car wreck early one morning and he witnesses a cameraman named Joe Loder (Bill Paxson) capturing the tragedy on camera. As the sun rises a few hours later, that same footage recorded by Loder ran on a local morning news, and Bloom considers that the financial possibilities found with this unconventional career opportunity may be exactly the type of thing he was looking for.

Eerie, hypnotic, unsettling, striking, unnerving, haunting, hilarious, and much like Drive, so god damn cool, Nightcrawler is a wonderful balance of all of this and more. Photographed by Robert Elswit, who has some notable experience working with similar cityscape imagery as the regular cinematographer of the genius auteur Paul Thomas Anderson, I could bathe in the gorgeous aesthetic on display throughout this film. The directorial debut of Dan Gilroy, and by god keep em' coming sir. If this is the vision you are capable of the very first time you step behind the camera, I cannot wait to see what comes next.

None of this works without Gyllenhaal though. I am not typically a performance guy, not because I don't admire the work of actors at the top of their craft but rather because I am simply more drawn to those working behind the screens (see above where I gush about names like Refn, Robert Elswit, PT Anderson and Dan Gilroy), but I cannot ignore the importance of the lead performance here. With the physical transformation of a significant weight loss by Gyllenhaal came a total investment in the character, and thus the work done here has the potential to be iconic. I couldn't take my eyes off of him throughout, as even the slightest mannerism or most minor facial expression seemed to add depth to the character. Probably the finest work by an actor thus far in 2014, and that includes Eddie Redmayne who essentially was Stephen Hawking in The Theory of Everything. Gyllenhaal absolutely owns Nightcrawler, and I honestly can't tell you what I would do if I saw the man approach me tomorrow. A part of me feels I would want to shake his hand, tell him that I am a big fan and spew praise of what he accomplished here, but another part of me would think Lou Bloom was heading my way with his motivational pitch, ready to offer me a career opportunity. Just the idea of that will keep me up at night.

A vibrant, exciting film about obsession and a wonderful, clever satire about the true goal of the media when they are delivering us the news. One of the best films of 2014, my goodness I can't wait to take this wild ride again.

4.5/5