Decades of Cinema - 10 Best of the 2000's

If you were curious to check out my previous "Decades" lists and other stuff as well, this link will take you there.

Here are my ten favorites released between the years 2000 and 2009.

10. Oldboy

Gosh, if you haven't seen Oldboy, you should, but let me follow that up with a disclaimer: if the content or the direction the narrative takes proves to be disturbing, please don't come back and blame me. I'm sure this Korean revenge thriller would be too much for some, but it's just right for me.

Also, please, don't watch the recently released Spike Lee U.S. remake before seeing the original. Start with the masterpiece, then decide if you want to compare the two. 

9. Memories of Murder

Let's just stay in South Korea with the incredible based on a true story crime-drama Memories of Murder. This one tells the story of the first ever documented serial killer in the history of the nation, and it is an atmospheric, chilling and flat out great film. Have a South Korean movie night and watch the first two on this list back to back. 

8. Zodiac

From back to back South Korean films to now back to back tales based on truth involving serial killers, notice a theme thus far to my favorite films from this decade? Yes, I like my dark and ominous thrillers. They just tend to work for me, especially when they are as brilliant as David Fincher's Zodiac. 

7. The Dark Knight

We stay in the darkness but with a bit more of a fun flair, moving into the superhero sub-genre with The Dark Knight, although really this is just an epic crime drama masked as a comic book movie. Without a doubt the masterpiece of the Nolan Batman trilogy featuring that already pretty iconic performance from the late Heath Ledger. I recall when The Dark Knight was first released there was a lot of "greatest movie of all time" talk associated with it. Unfortunately I can't go that far, but it certainly is one of the finest achievements of its decade.

6. Children of Men

7 years before he won the Oscar for Best Director for his work on Gravity, Alfonso Cuaron gave the world Children of Men and it is a science fiction thriller that works in every possible way. Written, directed and performed with perfection and that glorious photography from Emmanuel "Chivo" Lubezki, this is a movie that literally, and let me stress that word because when I use it, I use it correctly, LITERALLY gave my wife a panic attack as she watched a battle sequence. 

5. The Lord of the Rings: The Fellowship of the Ring

This is the moment where people think, oh okay, so three of the top five will be the Lord of the Rings trilogy. No, you may be surprised when one, probably considered the greatest installment by the majority is actually left off the list. The Fellowship of the Ring, however, is a totally worthy epic fantasy adventure, and the trilogy as a whole I revisit every single year when fall rolls around and the weather outside gets brisk. It just feels right.

4. Spirited Away

The attention to detail from Hayao Miyazaki in Spirited Away is breathtaking, arguably not only the defining masterpiece from Studio Ghibli but also in the history of animated cinema. Magical, mystical, haunting and beautiful, You might see this and think, but I can't watch animated movies anymore. I'm an adult. Nonsense. The craft of a Miyazaki should be admired by people of all ages.

3. No Country for Old Men

Surely you saw this one coming, right? I named my blog after it! A flawless film with a perfect conclusion, an ending that angered some but for me it was sublime. No Country for Old Men is a Best Picture winner that was worthy of the award.

2. The Lord of the Rings: The Two Towers

What a glorious example of perfect blockbuster filmmaking. The Lord of the Rings: The Two Towers has always been and will continue to be my favorite installment in the trilogy, a perfectly paced marvel that feels so damn epic, it's more like an event than a movie. The Battle of Helm's Deep is my favorite sequence in the entire saga, which helps elevate this one to the top.

1. Inglourious Basterds

The second time Quentin Tarantino has held the top spot of a decade for me, and Inglourious Basterds happens to me my second favorite of his work behind only Pulp Fiction. The ultimate revenge story, a grand what if tale involving Nazi's and a woman avenging the brutal deaths of her family members. It's clever, it's funny, it's made with astonishing confidence and as usual it has a screenplay that you could close your eyes and just listen to and still love the experience. A few specific scenes, like one that takes place at a basement bar, are so perfectly executed and so deliciously Tarantino. No one else on the planet could make a scene like that work so damn well.

Next list will be the last, my ten favorite films released between 2010 and now. Might sound like a small, watered down sample size, but trust me...this decade has been pretty incredible, including my favorite film of all time.

Respire (Breathe) Review

Breathe.

Breathe. Relax. Take a second, it's going to be okay.

These aren't quotes from the film Respire nor are they my message for any of the characters. This is what went through my head during and shortly after the final gut punch of a scene left the screen.

Breathe. Relax. Take a second, it's going to be okay.

This, ladies and gentlemen, is a damn fine film, directed by Melanie Laurent whom, frankly, I had no idea directed at all let alone with this level of confidence and precision. Laurent is an extremely recognizable face for me as she stars in the brilliant Quentin Tarantino film Inglourious Basterds, but she remains unseen here as her work behind the camera is beyond impressive. Respire tells the story of Charlie, a teenage girl who is lonely and severely lacking confidence until one day a girl named Sarah enters her life and everything changes. Their connection is deep and their friendship blossoms quickly, giving Charlie the bounce in her step she so desperately needed. 

Their closeness doesn't last. Their connection falls apart. Their relationship becomes unsettling.

Clocking in at under 90 minutes, there is no such thing as a wasted scene in Respire and my goodness does Laurent absolutely own the material. Her camera moves with beauty and ease and every choice feels so damn right. I could go on and on, breaking down multiple moments to really drive home the fact that I am floored right now by the skill demonstrated by Laurent, but instead I will focus on just one sequence that on face value doesn't feel very complicated, yet for me it was jaw dropping.

I have previously expressed how much I am dazzled by a perfectly executed long take, and Respire features one that immediately ranks among my favorites. The camera is outside of the apartment Sarah shares with her mother and it simply and slowly pans to the left, following Sarah through it as she faces the emotional abuse that apparently is the norm inside those walls. No cuts, no twists or turns, nothing special at all about the way we calmly and methodically move to the left, and that is precisely why this scene is so damn incredible. The flow of the camera makes it feel as if we are being voyeuristic, watching the personal struggles of this girl through the windows of her home, and it's simplicity is powerful and haunting.

An incredible film throughout, capped off by an ending that is difficult to shake off no matter how hard you try, Respire is smart, savvy filmmaking.

Breathe. Relax. Take a second. Sounds simple right?

Is it though? Is it going to be okay?

4.5/5

Shame Review

When you hear the word addiction, what is the first thing that comes to mind? Personally, I tend to focus on anything I am familiar with or have some sort of connection to in reality. While I have no issues with alcoholism, I have seen the effects of such an illness on both family and friends. I smoked a boat load of pot in high school and consumed an even bigger supply of cookies and cupcakes as a result, but the joints never served as a gateway to the more harmful and extreme substances. Still though, acquaintances who sat in neighboring desks five days a week succumbed to needles, powders and pills, their bodies found by devastated parents, tears shed by those who lost a loved one far too young.

The normal reaction when one hears the words "sex addiction" is an eye roll and an expedited dismissal of it being a real affliction, a cop out for celebrity culture when a cheating spouse is caught in the act, but shouldn't we take a step back and reconsider this mentality? Why can't a person become addicted to the pleasure of a sexual release, the excitement of being wanted, the euphoric warmth of carnal companionship? The film Shame, directed by Steve McQueen who is now best known for crafting the Best Picture winning masterpiece 12 Years a Slave, follows a man named Brandon (Michael Fassbender) who is fighting a true addiction to sexual gratification, whether it be in bed with another person or in the restroom alone during a stressful day of work. 

Shame is an emotionally draining and powerful film thanks to confident, assured direction and the absolutely brilliant performances from the two leads. I was already quite the fan of the work of Michael Fassbender, starting when I was introduced to his potential thanks to a perfect turn in Quentin Tarantino's Inglourious Basterds, but now I feel as if I honestly had no clue how incredible he truly is. Playing Brandon demanded an extraordinary level of nuance and authenticity and good golly did he deliver, in every way imaginable. I was charmed by his smile, intrigued by his stare and haunted by the anguish that spilled out at the moment he reached rock bottom. 

If Carey Mulligan is in a film, I will be watching as I have always been a fan. So talented and beautiful, so perfectly suited for every role she is cast in and her work as Brandon's younger sister Sissy here is another prime example of this. As I was witnessing the tragic narrative of the film unfold, I never viewed Mulligan as an actress playing a part. She wasn't a familiar face that brought me back to other films in which I treasured her presence in them, like Drive, Never Let Me Go or Inside Llewyn Davis. Carey Mulligan completely embodied the character, a flawed and uneven human being dealing with an unsettling relationship with her brother. When she spoke, I absorbed every word. When she sang, I listened. When she cried, I felt the pain. When she bled, I broke apart and wished for her safety as if she was real, because that is exactly how she felt. Real.

Shame is an explicit, raw, and often times uncomfortable film that I can't imagine wanting to go back and revisit frequently, yet I know I would be willing to watch again down the road. When this level of talent is on display, both behind and in front of the camera, it's impossible to ignore, impossible to look away. It's a movie with so much power seeping from its pores that it may change what I think of when I hear the word addiction going forward. Sure, I will start with alcoholism and drugs and I doubt that will ever change, but it's unfair to label an addiction to sex as something that isn't real. Shame may be a work of fiction, but it's evident that a character like Brandon and his affliction are born from fact. 

4.5/5

My Probably Terrible and Way Too Early 2016 Best Picture Predictions

Who says it's too early to make Oscar predictions for next year? Where's the fun in waiting for more information? I say, do it now and then shake my head in disgust later this year when it becomes obvious that these are completely off the mark

So here we go. These are my probably terrible and way too early 2016 Best Picture Predictions

Knight of Cups

The Martian

Silence

Me and Earl and the Dying Girl

St. James Place

Midnight Special

The Revenant

The Hateful Eight

Star Wars Episode VII: The Force Awakens

A part of me thinks this is a very realistic list, and another part of me thinks this would just be too good to be true for me personally. 

Knight of Cups is the new film from Terrence Malick, the man behind my favorite film of all time, The Tree of Life. I don't want to set myself up for disappointment, but I have faith that this will be another special cinematic experience from the genius auteur.

The Martian is based on the fantastic debut novel from Andy Weir of the same name, and it is Ridley Scott returning to science fiction which is where he is at his best (yes, including Prometheus which I love). As someone who has read the book, trust me, this is the type of material that the Academy can fall in love with, and if you take a look at the cast listing of this film, you will see the potential for something remarkable. 

Silence is currently in production with Martin Scorsese at the helm, which alone is enough to believe in its Oscar chances. The only thing about picking this one, it isn't even guarateed to be released in time for next years Academy Awards. It is currently listed as a 2016 release, although I have a gut feeling it finds its way to a film festival later this year and gets a limited release in time to qualify.

Me and Earl and the Dying Girl feels ready to follow in the footsteps of recent Sundance gems that went on to bigger and better things. Just yesterday both Whiplash and Boyhood were major players on Oscar night, and both were debuted at Sundance. Me and Earl and the Dying Girl received overwhelming acclaim at the festival and won both of the top prizes there. I recently read the novel it is based on and yep, this is going to be a special film.

Directed by Spielberg, a script co-written by the Coen brothers, starring Tom Hanks with an October release date? A historical biography spy thriller? Yep, I feel good about the chances of St. James Place. 

Midnight Special probably won't be nominated for Best Picture. Let me get that out of the way. So why am I picking it? Because Jeff Nichols deserves the damn recognition, with his previous two films being absolutely sublime and yet they were overlooked by the Academy. Take Shelter is one of the finest films to focus on mental illness ever made, and Mud was just pure storytelling magic. In November of this year, his new science fiction drama will be released and I hope it is when the Oscars take notice and showcase the work of this amazing talent. Oh, and I hope Michael Shannon is nominated for Best Actor as well. The fact that he wasn't among the five recognized for Take Shelter is such a shame.

The Revenant certainly feels like a safe, solid pick now, the next film by Alejandro Gonzalez Inarritu after winning Best Director and Best Picture last night with Birdman. Perhaps a win for Leonardo DiCaprio here? We will have to wait and see.

I hesitate to include The Hateful Eight because I have a gut feeling it may not be up for the top prize after the last two films by Quentin Tarantino were nominated. Going three in a row would be quite the accomplishment, but with the campaigning of Harvey Weinstein backing it and the fact that the Academy clearly appreciates that intoxicating Tarantino style, it just might happen.

Finally, yes I am picking Star Wars Episode VII: The Force Awakens. As I am a massive Star Wars fan, this probably is wishful thinking, but hear me out on my logic. After the prequels proved to be such a letdown, if J.J. Abrams is able to put out an amazing new film (and I believe he will) with the original cast involved, released right in the heart of Oscar voting season, I imagine many voters will fall head over heels in love with the movie.

When Abrams rebooted Star Trek, I recall there being talk of it possibly sneaking into the Best Picture race, and that was Star Trek. No offense to the Trek fans out there, but it just isn't as beloved and cherished of a franchise as Star Wars. If he nails this, people like me will be ready to put up Abrams shrines in their bedrooms to honor the man. I wouldn't be that surprised if this film picked up a whole bunch of nominations in 2016, and not just for the technical achievements. 

So there we go. The nine films I currently think will be up for Best Picture next year. I look forward to coming back to this down the road and realizing I only got 1 correct.

100 Favorite Films - #10 - #1

Finally, my ten (eleven) favorite films of all time.


10. The Silence of the Lambs (1991)

My Review of The Silence of the Lambs

Every single moment of the film The Silence of the Lambs feels important and memorable, as it has been a favorite of mine ever since the first time I laid eyes on it. The pacing is remarkable, as the picture flows so smoothly from one incredible sequence to the next, and you may have picked up by now throughout this list that I am a sucker for the ominous, the dark and the deranged. I can't help it, stories like this grab my interest and when they are executed well, they don't let go. For roughly twenty years now I have watched The Silence of the Lambs and my love has not diminished in the slightest.


9. The Social Network (2010)

David Fincher is one of my favorite filmmakers working today, quite possibly at the top of that list, and for me his masterpiece was the 2010 film The Social Network. I recall thinking the choice was odd, that the man who brought forth such dark and intense thrillers would helm a film about the creation of Facebook. After seeing the finished product, the choice was not only no longer odd, it proved to be inspired and rather genius. Unbelievably the man wasn't awarded the Best Director prize at the Oscars for that year, and the film also lost out on Best Picture, but something tells me years from now it will be remembered as quite the achievement despite these snubs.


8. *****TIE***** 

2001: A Space Odyssey (1968)

One of the most important and iconic works in cinematic history, 2001: A Space Odyssey was initially a very polarizing experience and despite the fact that now it is held in incredibly high regard by many, it is still a work that is hard to accept for some. An abstract, surreal journey through time. Stanley Kubrick absolutely blew my mind the first time I laid eyes on this majestic epic, but I must admit I wasn't even sure I enjoyed it then. I had no idea what to think. It wasn't until years later when I revisited that the power of this film washed over me.


Lawrence of Arabia (1962)

My Review of Lawrence of Arabia


It's weird, including a film that I just saw for the first time ever roughly a week ago on a list like this, especially THIS high up, but to be perfectly honest, given more time this may move up to top 5, hell even top 2 consideration. Lawrence of Arabia is just such a brilliant, perfect film, it is impossible to ignore. I have overreacted to new releases before, an experience I see in the theater and I quickly declare it a future classic, only to reevaluate later and realize the film was in fact great but perhaps not quite at the level it first seemed. This is not an overreaction. This is a worthy spot for a flawless work of art.


7. Star Wars Episode IV: A New Hope (1977)

If I would have made this list when I was eleven years old, the Star Wars trilogy would have held the top three spots on this list without a doubt. I was raised on them, I watched them so many times I practically memorized the films word for word, and nothing was better than coming home from school and popping in one of my VHS tapes from the holy trilogy. While not in the top three, you can tell that the original trilogy still holds a special place in my heart as I have already listed Return of the Jedi and here we have A New Hope.

Interesting that The Empire Strikes Back has not yet been a part of the mix. Hmmm....


6. Pulp Fiction (1994)

Years ago I declared that the greatest screenplay that I had every encountered was the work of Quentin Tarantino on Pulp Fiction. As we approach 2015, that feeling has not changed. Every damn word of this wonderful film is dynamite, music to my ears, and even though I have seen the film countless times I feel like I must hear and see every last second to truly appreciate it each time I give it another spin. So clever, so funny, so memorable and so damn cool.


5. The Godfather (1972)

My Review of The Godfather


Masterpiece. While not literally at the top of my list, I could never argue with someone who wishes to declare The Godfather as the finest cinematic work ever. Simply sublime storytelling from start to finish.


4. The Passion of Joan of Arc (1928)

My Review of The Passion of Joan of Arc

Shame on me for ever thinking that silent films would be boring. If this is boring, than I wish I was bored right now. The Passion of Joan of Arc is without a doubt one of the most powerful, arresting experiences I have ever had, as it literally takes my breath away when I see it. It's the type of work that I am forced to remind myself to breath and continue functioning normally during it because I get so lost in the imagery and the score.

I have never been one to get too attached to a piece of art in a museum. I can respect its beauty and try to piece together its meaning, but I never find myself overwhelmed by what is front of me like others do. The Passion of Joan of Arc is like that for me, just turn it on and I cannot move, cannot look away until its over. A perfect film with a perfect lead performance.


3. Vertigo (1958)

I love a whole bunch of Hitchcock films, but for me, nothing can top Vertigo. Jimmy Stewart. The beautiful Kim Novak. The incredible direction and editing and photography that keeps me coming back for me time and time again with this film I have seen at least twenty times before. The perfect music by Bernard Herrmann, who crafted so many perfect scores throughout his life. I will never forget the first time I saw this, I was in high school in a film class and we could only screen half the film the first day because of time restrictions, and I refused to wait another 23 hours to finish the story, so I went to the library that evening, checked out a copy and watched the conclusion at home.

Didn't complain a bit when I watched it again the next day in class. In fact I may have watched the entire thing again once more before returning my copy. Such a stunning, incredible film.


2. Star Wars Episode V: The Empire Strikes Back (1980)

As I said above with my little bit about A New Hope, Star Wars was my thing growing up and nothing was better than the middle chapter, The Empire Strikes Back. It wasn't until recently, after lord knows how many viewings, that I actually truly admired it for the perfect cinema it is rather than just blindly adored it due to nostalgia. Despite so many viewings before, I was shocked to realize that the film is roughly only two hours in length. How the hell could so much awesomeness, so many iconic moments be packed into two hours...yet not once feel packed or crammed or rushed? The answer is absolutely astonishing pacing, a fluidity that rivals anything else I have ever seen. I wouldn't trim a second off and I also wouldn't add a second anywhere. The Empire Strikes Back is perfection.


1. The Tree of Life (2011)

My Favorite Film of All Time

The Tree of Life by Terrence Malick is more than a movie. It changed my perspective on life. It made me appreciate my own existence more than I ever have before. Ironically, it is a film that I truly hated the first time I saw it, but to be fair I didn't really see it. Sure, it was playing in front of me and my eyes were looking at it, but I wasn't allowing the abstract narrative to soak in at all. I wasn't opening myself up to the experience.

Once I did, I couldn't wipe the tears from my eyes fast enough.

Now, each time I watch this film, as soon as its over I immediately have the urge to go check on my daughter. I look in at her sleeping and I don't want to look away. Having her in my life is a miracle, which is something I didn't appreciate enough until I saw this absolute masterwork, the single greatest film I have ever seen.

Well, that's it. My 100 (101) favorite films of all time. Any thoughts on this portion of the list? The list as a whole?

Thank you so much for checking out my selections and giving feedback. Good or bad, it means the world to me that you took the time to look at all.

100 Favorite Films - #30 - #21

A continuation of my list of my 100 favorite films of all time.


30. La Jetee (1962)

My Review of La Jetee

An entire narrative told through still images and voice-over, an entire film lasting only 28 minutes, but it is an incredible science fiction film by Chris Marker. This worked served as the inspiration behind Terry Gilliam's 12 Monkeys, and while I often see people rank that film higher than La Jetee, I am not one of them. If you find an opportunity to check this one out, please do so. You certainly have the time to given its length, and it is a special little slice of cinema.


29. No Country for Old Men (2007)

My Review of No Country for Old Men

My first of two features by the Coen brothers in this very list of ten, No Country for Old Men is a masterful adaptation of the remarkable work of Cormac McCarthy and the film that inspired the name of my blog. An allegorical masterpiece with an ending that infuriated many with its lack of finality, but I not only defend the closing sequence, I think it is truly brilliant. In fact, I can't imagine a more fitting conclusion given it fits with the entire point of the narrative.


28. Cloud Atlas (2012)

My Review of Cloud Atlas

A truly unique, overlooked gem, the Wachowski siblings along with director Tom Tykwer managed to adapt a novel deemed impossible to do so, the work of the same name by author David Mitchell. It would be a shame if this film were remembered as being merely a box office disaster because unfortunately that is viewed as a reflection of its quality. Cloud Atlas is massively ambitious in scope and scale, a master class in the art of film editing as six separate stories are told throughout with fluidity and sublime pacing. Three hours has never moved so quickly, and I hope this is a work destined to gain appreciation with age.


27. Spirited Away (2001)

My Review of Spirited Away

The brush Hayao Miyazaki paints with is one that brings a smile to my face every single time, but none bigger than that earned by his masterpiece Spirited Away. An imaginative animated wonder, so much detail is packed into every single moment of this film that it is impossible to digest it all with one viewing, and not just in terms of storytelling but also the incredible craftsmanship of the animation, some of the finest ever achieved. If you resist animated films because you feel they are designed and directed only at children, stop what you are doing and seek out the work of the legendary Studio Ghibli.


26. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

My Review of Dr. Strangelove

Quite possibly the most accomplished and brilliant satire in cinema history, Dr. Strangelove is yet another film by Stanley Kubrick that has made my list. It's just so damn funny and shockingly relevant even today, as the content remains as clever and meaningful as it did back in the 1960's. Humor is something that can occasionally feel dated, as something that played well long ago may come up dry with a modern audience. Not so for this classic dark comedy.


25. The Shawshank Redemption (1994)

At one point years ago, when someone would ask what my favorite movie was, the answer was always The Empire Strikes Back...and The Shawshank Redemption. While no longer right there at the very top of the list, my love for this film still remains, a powerful story about finding hope in a hopeless place and the meaning of freedom beyond the simplicity of whether the prisoners are in serving time or out in a world unknown to them. The last thirty or so minutes of this work will always warm my soul without fail, an experience that never gets old.


24. Take Shelter (2011)

My Review of Take Shelter

One of the finest and most realistic looks at the profound challenges of mental illness, the film Take Shelter by Jeff Nichols showcases a breathtaking lead performance by Michael Shannon along with amazing supporting work by Jessica Chastain in the role of his wife. Much like the previously listed No Country for Old Men, this has a shockingly polarizing ending, and I say shockingly because I find only one interpretation to be valid yet I was surprised to see it debated by many. For me it is a moving moment using intense imagery to demonstrate the importance of comfort and having love by your side when you need it most. One of my absolute favorite closing scenes of a film I have ever witnessed.


23. The Big Lebowski (1998)

Here we are with that second Coen brothers film I eluded to earlier, their comedy classic The Big Lebowski was was just recently selected by the National Film Registry for preservation due to its cultural significance. Well deserved if you ask me, my favorite comedy of all time. So quotable, so memorable, such great characters, such a uniquely perfect script. I could practically watch this film on repeat and never grow tired of The Dude.


22. Inglourious Basterds (2009)

Not quite the masterpiece from the filmography of Quentin Tarantino...but close. Inglourious Basterds takes his ingenious script and runs with it, with every performance absolutely on point for the material. Some of the finest moments of this film, from the riveting opening sequence to the showdown in the basement bar, are so perfectly executed and could only be the work of one man. When you see sequences like these, there is never a doubt as to who crafted them. Only Quentin Tarantino could pull it off.


21. The Lord of the Rings: The Two Towers (2002)

My Review of The Two Towers

With these fresh in my mind after my recent six film journey through Middle Earth, The Two Towers is still the one that stands atop the rest. I cannot get enough of this installment, as every note is hit with perfection from beginning to end, never a misstep despite its daunting length and epic scope. Just thinking the words "Helms Deep" makes me grin like an idiot.

Only 20 films to go...or perhaps 21. I may just have to include a lame tie as a way to shoehorn in a choice much deserving of the honor. Either way, two more lists to come, and the image above is from a film that will be a part of the next group.