Guardians of the Galaxy Review

Everywhere I look I find people who close their minds off to something, assuming the worst about a film without ever seeing a single frame. Perhaps it is a genre thing, as once something gets labeled it instantly turns off a certain portion of a potential audience. Comedy is too silly? Horror is too gory? More into realism than fantasy? It's up to each individual to carry with them these biases and it's also up to them to let their guards down for a bit and try and connect with a work outside their comfort zones, but for their sake I hope they can give any movie a fair shake. A lot of comedic pictures are dreadfully unfunny, but had I dismissed an entire genre I would have never discovered that the dude abides. A lot of horror attempts to grab for the lowest hanging fruit with entire narratives centered around torture and the shedding of limbs and lives, but I still couldn't wait to enter a theater recently and figure out what exactly it follows. I have connected in deep and profound ways with realism that feels intensely personal, but I wouldn't be who I am today without decades of admiring science fiction and fantasy storytelling that swept me away to other eras and worlds. 

Another problem is this bizarre desire to pledge allegiances to something specific and thus dismiss the other options out there. Star Trek or Star Wars? James Bond or Jason Bourne? Marvel or D.C.? Apparently once you pick a side, it prohibits that person from ever saying a kind thing about the "opposition" again. This whole concept baffles me. Sure I grew up in a galaxy far, far away, but that wouldn't stop me from learning about the original vision of Gene Roddenberry. I am a big fan of the Bourne films, but did you see how outstanding Skyfall was?

Which leads me to both the Marvel vs. D.C. comic book turf war and also my main overall point. Why can't I love both? Why can't I watch the masterful Nolan Batman trilogy one weekend and then the next treasure the Avengers on a quest to save the world? Sure I stylistically tend to prefer the dark and gritty over the bright and fun, but the tone of a picture is not the only factor in play. Man of Steel brought the exact dark and serious twist I wanted on the amazing story of Superman, but heaven help me with that crappy David Goyer script and Zack Snyder's addiction to zoom in on shit every chance he got, where as I approached Guardians of the Galaxy with some trepidation because it was clear before the film was even released that it would be far more of a comedic space opera than anything else.

I could have easily predetermined my eventual issues with Guardians of the Galaxy and not allowed myself to be swayed away from those thoughts no matter what I saw on the screen, especially after the failings of the Marvel Cinematic Universe in 2013 when it came to comedy. Instead though, I treat it like an open minded challenge made from my brain to a filmmaker, in this case James Gunn: prove me wrong. Write a screenplay that will actually make me laugh and yet also feel some emotion. Entertain me with thrilling action but balance that with developed and nuanced characters that I can care enough about to either root for or again them. 

James Gunn proved me wrong. He delivered in every way I could have hoped for. He thrilled me, made me laugh more during this one movie than the entire MCU had before it combined, made me give a shit about a tree that can only say three words and a talking raccoon and even brought quite a few tears to my eyes. Guardians of the Galaxy is an absolute blast and my single favorite film from the studio thus far. 

Hours from now I will be seeing Avengers: Age of Ultron, and months later Ant-Man. Later in 2015 there will be a Bond and the awakening of the force, and then next year Batman will fight Superman and Captain Kirk will voyage out into the depths of space. Will all of these films be good? I have no idea, and I would be lying if I said I was confident in all of them. Pessimism is a normal part of the cinematic journey, but refusing to enjoy a movie for arbitrary reasons like what fan club you joined as a kid or what studio released it now is a sad reason to overwhelm yourself with negative thoughts and refuse to accept the positives. 

Instead approach each like a challenge and hope for the best. If you have had issues with Marvel films in the past so you decided to not see Guardians of the Galaxy, do what I did and give it a chance to prove you wrong. 

I'm glad I did.

5/5

Decades of Cinema - 10 Best of the 2000's

If you were curious to check out my previous "Decades" lists and other stuff as well, this link will take you there.

Here are my ten favorites released between the years 2000 and 2009.

10. Oldboy

Gosh, if you haven't seen Oldboy, you should, but let me follow that up with a disclaimer: if the content or the direction the narrative takes proves to be disturbing, please don't come back and blame me. I'm sure this Korean revenge thriller would be too much for some, but it's just right for me.

Also, please, don't watch the recently released Spike Lee U.S. remake before seeing the original. Start with the masterpiece, then decide if you want to compare the two. 

9. Memories of Murder

Let's just stay in South Korea with the incredible based on a true story crime-drama Memories of Murder. This one tells the story of the first ever documented serial killer in the history of the nation, and it is an atmospheric, chilling and flat out great film. Have a South Korean movie night and watch the first two on this list back to back. 

8. Zodiac

From back to back South Korean films to now back to back tales based on truth involving serial killers, notice a theme thus far to my favorite films from this decade? Yes, I like my dark and ominous thrillers. They just tend to work for me, especially when they are as brilliant as David Fincher's Zodiac. 

7. The Dark Knight

We stay in the darkness but with a bit more of a fun flair, moving into the superhero sub-genre with The Dark Knight, although really this is just an epic crime drama masked as a comic book movie. Without a doubt the masterpiece of the Nolan Batman trilogy featuring that already pretty iconic performance from the late Heath Ledger. I recall when The Dark Knight was first released there was a lot of "greatest movie of all time" talk associated with it. Unfortunately I can't go that far, but it certainly is one of the finest achievements of its decade.

6. Children of Men

7 years before he won the Oscar for Best Director for his work on Gravity, Alfonso Cuaron gave the world Children of Men and it is a science fiction thriller that works in every possible way. Written, directed and performed with perfection and that glorious photography from Emmanuel "Chivo" Lubezki, this is a movie that literally, and let me stress that word because when I use it, I use it correctly, LITERALLY gave my wife a panic attack as she watched a battle sequence. 

5. The Lord of the Rings: The Fellowship of the Ring

This is the moment where people think, oh okay, so three of the top five will be the Lord of the Rings trilogy. No, you may be surprised when one, probably considered the greatest installment by the majority is actually left off the list. The Fellowship of the Ring, however, is a totally worthy epic fantasy adventure, and the trilogy as a whole I revisit every single year when fall rolls around and the weather outside gets brisk. It just feels right.

4. Spirited Away

The attention to detail from Hayao Miyazaki in Spirited Away is breathtaking, arguably not only the defining masterpiece from Studio Ghibli but also in the history of animated cinema. Magical, mystical, haunting and beautiful, You might see this and think, but I can't watch animated movies anymore. I'm an adult. Nonsense. The craft of a Miyazaki should be admired by people of all ages.

3. No Country for Old Men

Surely you saw this one coming, right? I named my blog after it! A flawless film with a perfect conclusion, an ending that angered some but for me it was sublime. No Country for Old Men is a Best Picture winner that was worthy of the award.

2. The Lord of the Rings: The Two Towers

What a glorious example of perfect blockbuster filmmaking. The Lord of the Rings: The Two Towers has always been and will continue to be my favorite installment in the trilogy, a perfectly paced marvel that feels so damn epic, it's more like an event than a movie. The Battle of Helm's Deep is my favorite sequence in the entire saga, which helps elevate this one to the top.

1. Inglourious Basterds

The second time Quentin Tarantino has held the top spot of a decade for me, and Inglourious Basterds happens to me my second favorite of his work behind only Pulp Fiction. The ultimate revenge story, a grand what if tale involving Nazi's and a woman avenging the brutal deaths of her family members. It's clever, it's funny, it's made with astonishing confidence and as usual it has a screenplay that you could close your eyes and just listen to and still love the experience. A few specific scenes, like one that takes place at a basement bar, are so perfectly executed and so deliciously Tarantino. No one else on the planet could make a scene like that work so damn well.

Next list will be the last, my ten favorite films released between 2010 and now. Might sound like a small, watered down sample size, but trust me...this decade has been pretty incredible, including my favorite film of all time.

Batman Begins Review

Those two words we dread nowadays as the superhero sub-genre continues to flourish financially and thus take up most of the screens at the local theater each weekend: origin story. We dread them because they typically are mentioned due to reboots of heroes we are already so familiar with, their origins are like that tale your Uncle tells every single year at the Thanksgiving dinner table. Spider-Man is abandoned by his parents, lives with his Aunt and Uncle and gets bit by a super special arachnid. We get it. A wee little Bruce Wayne walks down a dark alley with his parents when a shady criminal spills the blood of the elders, a memory that haunts him until the day he decides to don the cape and cowl and beyond. Been there, done that.

The imaginative and highly skilled Christopher Nolan at the helm of the story of the Dark Knight though? Yeah, I would watch that. Over and over and over again, because Batman Begins is dark and delicious fun.

Gotham is bathed in shadows and plagued by a violent, seedy underworld, yet despite the serious tone and cold aesthetic I am unable to take my eyes off of the ominous, gloomy world built by Nolan here. The rain pours down and each frame feels crisp and alive, appropriate for the moment. The revival of a character beloved but absent from a good film in over a decade prior to Nolan stepping in to bring him back from his Joel Schumacher induced cinematic death. It was a wonderful feeling, sitting in that cinema shortly after this film was released and feeling all of the pessimism and ugliness associated with Batman on the big screen wash away. 

Batman Begins is the way an origin story should be done, and I can't help but wonder if the showrunners of the new Daredevil Netflix series were influenced by this one when they began crafting their rather brilliant series. Spread out over thirteen hours rather than a mere two, it is difficult to compare the two in terms of storytelling and character development but the tone and the atmosphere feel remarkably similar. If Batman Begins was in fact the model to build off of, they picked a wonderful picture to replicate.

4.5/5