Preparing for Civil War - 5 Favorite MCU Films

Some may be feeling the superhero fatigue, both from the volume of films being released from the sub-genre and also the vitriol being spewed from the fans from each side (call me an optimist, but I root for them all to be good), but I doubt any of this will harm the box office totals that are about to roll in for Captain America: Civil War. The film is going to be insane business, and from the look of it rightfully so because I am expected something special.

As this will be the 13th film released since the start of the Marvel Cinematic Universe, it seems like a solid time to run down the best of the bunch, my personal five favorites thus far. I hope to amend this soon when I get a chance to see Civil War.

5. Iron Man

The one that started it all eight years ago. It seems crazy to think of all that has happened since the first Iron Man was released, seeing as how it isn't even an old film by any standards. The MCU has done a magnificent job of world building since it kicked off and Robert Downey Jr. has been the engine that made the whole universe go. The first Iron Man film also happens to still be the best Iron Man film.

4. Captain America: The First Avenger

This one being in the top 5 may surprise people because I know loving it is a somewhat unpopular opinion, but I think the introduction to Captain America is an absolute blast, beautifully standing up as an action packed superhero film and also a fun period piece. The aesthetic of the era really stands out and the chemistry between Chris Evans, Hayley Atwell, Tommy Lee Jones and Sebastian Stan gives the entire picture a heavy dose of charm. I have come to realize that Cap is my favorite Avenger and it all starts with this movie.

3. The Avengers

I still remember how much I doubted that this whole thing would really work when it all came together. I didn't quite appreciate just yet how the patience of Marvel to establish all of their characters before delivering the big show would pay off so wonderfully, but Joss Whedon found a way to balance all of the big personalities and make them each shine thanks to delicious dialogue and an exciting plot. So much fun, a Blu-ray I can put on anytime and just sit back, relax and admire the spectacle.

2. Captain America: The Winter Soldier

Prior to seeing Captain America: The Winter Soldier, I had one major complaint about the MCU solo films: the villains. They never really did much for me, and that is such a let down. Ever since I was a kid, I loved being unnerved by a great bad guy. Enter the Winter Soldier, a kick ass character that owns the frame when he is a part of it and the entire film turned out to be absolutely terrific. I had such severe doubts about this movie because the choice of directors seemed so random and out of place, calling on Joe and Anthony Russo to take the helm when they had previously been focused on comedy, and yet they crushed an absolute home run here. Now I am thrilled that those same brothers have taken on Civil War and will also be behind the camera for the Infinity War. 

1. Guardians of the Galaxy

If a film based on a comic book wants to win my heart, it needs to feature a terrific script, outstanding characters and a stunning aesthetic. Guardians of the Galaxy fits the bill and thus is my favorite film from the MCU thus far. Endlessly clever and exciting and utilizing grandiose world building by writer/director James Gunn, I can't stop smiling watching Guardians and the fact that it also hits me pretty hard emotionally at times only adds another layer to why I love it so. This movie is one of those releases that exemplifies why I love going to the cinema.

Will Civil War push its way into my top 5? As I said earlier, I am an optimist and my anticipation for this one fits right into that mold as everything involved in the marketing and the proven talent involved tells me this is going to be a film I adore in 2016. Can't wait to see it, but for now revisiting these joyous MCU entries will have to do.

Avengers: Age of Ultron Review

Who gives a shit about Hawkeye? Honestly? No one gives a shit about Hawkeye. Hawkeye barely gives a shit about Hawkeye. In a battle involving a genetically enhanced super soldier, a playboy billionaire in a flying iron suit, a pretty girl in a tight leather costume, a god and a hulk, why should we pay mind to Jeremy Renner with a bow and arrow? 

Well, I just got back from my screening of Avengers: Age of Ultron and I figured it out. Joss Whedon gives a shit about Hawkeye. Joss Whedon values character and relationships and brilliantly clever dialogue amidst all of the expected chaos of battle, and that is why I admire the hell out of him and his work. With modern day technology and bloated budgets, it's easy to make things look pretty and then have them explode. Pretty much anyone can make an audience gasp at the sight of a collapsing building, but it takes actual talent to make them honestly, deeply care about the people inside it. 

Now let me get some of the brief negatives out of the way before I continue gushing about everything Avengers: Age of Ultron did right. This isn't the game changing, defining moment of the MCU that some may be hoping for. I entered the theater with a mentality that this would be not just Avengers 2, but Avengers 2.0, and with an expanding cast and elevated stakes the entire experience would be bigger, bolder and more bombastic, but really this didn't feel like it was on a different level than either the first Avengers or Captain America: The Winter Soldier. What I am trying to honestly figure out at this very moment though is whether or not this is really a flaw or just a matter of perception? I may have been expecting a new level of epic, but was that ever the intention? Would that have even been a good thing had it pulled a Spinal Tap on us and gone to 11?

Also, there is a love story going on here that I can admire the attempt, but I didn't really buy it. Giving these characters a deeper connection seems like a smart way to make an audience care more, as their fates suddenly transcend being merely their own and instead directly relate to each others mental well being, but I didn't feel the chemistry that Whedon tried pretty damn hard to build through multiple quiet scenes between the two characters. Actually, despite very little screen time devoted to it, I was more captivated by the bond between newcomers Scarlet Witch and Quicksilver as twins than I was by the romantic angle. Did you noticed I am being vague about who exactly is in love here? That's on purpose in case you haven't seen it. Some people get pretty pissed about even the less consequential spoilers. 

While the love story may not have completely worked for me, on an individual level I probably cared more about the members than I ever have before. That is because over the years and multiple films I have grown to really like these characters and I think I know why: because despite their status as superheroes, they are just vulnerable enough to feel real. Avengers: Age of Ultron does a fantastic job of continuing that tradition, showing us that every single member regardless of the strength of their powers is, on some level, human. They are haunted by their dreams, the visions that bring about their deepest fears, and it is becoming more and more clear that every one of them is mortal and could meet their demise at any moment. Underneath the costumes and weapons and capes and shields are beating hearts, blood that can be spilled and minds that are capable of being shattered.

At the end of the day, Avengers: Age of Ultron works for the same reasons the first Avengers did: because it is written by a man with an immense amount of talent who knows how to hit all the notes needed to make people buy in. We laugh, we gasp, we are in awe of the action and we are moved by the heroism on display. Most of all, this is pure, joyous entertainment, the type of picture that leaves absolutely no doubt regarding whether or not the experience was worth the price of admission. 

Joss Whedon gives a shit about Hawkeye, and Avengers: Age of Ultron is all the better for it. 

4.5/5

Guardians of the Galaxy Review

Everywhere I look I find people who close their minds off to something, assuming the worst about a film without ever seeing a single frame. Perhaps it is a genre thing, as once something gets labeled it instantly turns off a certain portion of a potential audience. Comedy is too silly? Horror is too gory? More into realism than fantasy? It's up to each individual to carry with them these biases and it's also up to them to let their guards down for a bit and try and connect with a work outside their comfort zones, but for their sake I hope they can give any movie a fair shake. A lot of comedic pictures are dreadfully unfunny, but had I dismissed an entire genre I would have never discovered that the dude abides. A lot of horror attempts to grab for the lowest hanging fruit with entire narratives centered around torture and the shedding of limbs and lives, but I still couldn't wait to enter a theater recently and figure out what exactly it follows. I have connected in deep and profound ways with realism that feels intensely personal, but I wouldn't be who I am today without decades of admiring science fiction and fantasy storytelling that swept me away to other eras and worlds. 

Another problem is this bizarre desire to pledge allegiances to something specific and thus dismiss the other options out there. Star Trek or Star Wars? James Bond or Jason Bourne? Marvel or D.C.? Apparently once you pick a side, it prohibits that person from ever saying a kind thing about the "opposition" again. This whole concept baffles me. Sure I grew up in a galaxy far, far away, but that wouldn't stop me from learning about the original vision of Gene Roddenberry. I am a big fan of the Bourne films, but did you see how outstanding Skyfall was?

Which leads me to both the Marvel vs. D.C. comic book turf war and also my main overall point. Why can't I love both? Why can't I watch the masterful Nolan Batman trilogy one weekend and then the next treasure the Avengers on a quest to save the world? Sure I stylistically tend to prefer the dark and gritty over the bright and fun, but the tone of a picture is not the only factor in play. Man of Steel brought the exact dark and serious twist I wanted on the amazing story of Superman, but heaven help me with that crappy David Goyer script and Zack Snyder's addiction to zoom in on shit every chance he got, where as I approached Guardians of the Galaxy with some trepidation because it was clear before the film was even released that it would be far more of a comedic space opera than anything else.

I could have easily predetermined my eventual issues with Guardians of the Galaxy and not allowed myself to be swayed away from those thoughts no matter what I saw on the screen, especially after the failings of the Marvel Cinematic Universe in 2013 when it came to comedy. Instead though, I treat it like an open minded challenge made from my brain to a filmmaker, in this case James Gunn: prove me wrong. Write a screenplay that will actually make me laugh and yet also feel some emotion. Entertain me with thrilling action but balance that with developed and nuanced characters that I can care enough about to either root for or again them. 

James Gunn proved me wrong. He delivered in every way I could have hoped for. He thrilled me, made me laugh more during this one movie than the entire MCU had before it combined, made me give a shit about a tree that can only say three words and a talking raccoon and even brought quite a few tears to my eyes. Guardians of the Galaxy is an absolute blast and my single favorite film from the studio thus far. 

Hours from now I will be seeing Avengers: Age of Ultron, and months later Ant-Man. Later in 2015 there will be a Bond and the awakening of the force, and then next year Batman will fight Superman and Captain Kirk will voyage out into the depths of space. Will all of these films be good? I have no idea, and I would be lying if I said I was confident in all of them. Pessimism is a normal part of the cinematic journey, but refusing to enjoy a movie for arbitrary reasons like what fan club you joined as a kid or what studio released it now is a sad reason to overwhelm yourself with negative thoughts and refuse to accept the positives. 

Instead approach each like a challenge and hope for the best. If you have had issues with Marvel films in the past so you decided to not see Guardians of the Galaxy, do what I did and give it a chance to prove you wrong. 

I'm glad I did.

5/5

Captain America: The Winter Soldier Review

The old adage is to never judge a book by its cover, but we all do it. I genuinely try not to in regards to any films I have not yet seen, but it is impossible to stop the mind from wandering away and finding reasons to be either overly optimistic or pessimistic despite limited advanced knowledge. The key is the ability to keep an open mind, one way or another, and be willing to accept the fact that you may have been wrong initially. It's okay to be wrong. When it involves a movie I expected to be a disappointment and instead it dazzles me from beginning to end? In that case I love being wrong.

I was wrong about Captain America: The Winter Soldier. Very, very wrong. Thank god. 

It all began way back when they announced that Anthony and Joe Russo would be directing the superhero sequel. If you aren't entirely familiar with these two gentlemen and why their names would make me cringe initially, let me help you out. Prior to any involvement in the Marvel Cinematic Universe, the most prestigious projects on their resumes were directing comedy sitcom episodes and the wacky movie You, Me and Dupree. That's it, and when I was fresh off of bitching about the misguided screenplay for Thor: The Dark World that was loaded with far too much unfunny comedy, you can imagine my skepticism about bringing in a couple of guys who had only very similar experience and nothing else.

So there I was, me and my pessimism sitting inside a theater waiting to be proven right. The lights dim. The show begins. Only a few minutes later, I knew I was going to be wrong. I knew I was in for a treat. The tone was not only serious, it has a feeling of importance to it, like what would unfold during those 2 hours would carry more weight and meaning than anything done during the previous eight films that came before it. The direction was surprisingly slick and confident, the action hard hitting and delivered in only the right sized doses. I don't mean to pick on Man of Steel, a movie I liked but certainly did not love, but the last 45 or so minutes of it are exhausting and ponderous. After the 200th skyscraper has fallen and the 800th angry punch lands on an opponent, you start to check your watch and wonder when the hell it will end. Here, the Russo brothers knew how to limit those blows and cut an explosion or two out, instead focusing a great deal on character and story and performances. It pays off, big time.

Finally, cue the music, light the fireworks, it's time to celebrate. A solo film from the Marvel Cinematic Universe got the damn villain right. Actually, let me rephrase that. An MCU film brought a totally kick-ass, shockingly cool bad guy to a Captain America movie, and I was so excited to actually find the evil component of one of these pictures compelling. The Winter Soldier is so darn awesome, and his back story as to how he ties into the whole situation matters and actually resonates. No more farting Mandarins or bland tribes of evil elves, no no. The Winter Soldier is legit, the type of figure that draws your attention in the frame rather than make you roll your eyes and wonder what could have been.

The movie I always believed Marvel was capable of, the one that would nail the tone and the atmosphere and find a perfect balance of everything needed to tell a great story had finally arrived, and it was directed by the Russo brothers, a couple of comedy guys who seemingly had no business crafting something so cool. I judged this book by its cover. What was inside proved me so totally wrong.

4.5/5

Thor: The Dark World Review

I don't know Kat Dennings as a person. Perhaps she is quite lovely, a gentle soul whose friendship is the kind worth having. I have never sought out any anecdotes regarding her off screen persona because frankly, I don't really care. I only care about one part of her life: her inclusion in the Marvel Cinematic Universe. It's too late to fix the mistakes of the past, the way she was involved in far too many sequences during Thor: The Dark World, and to be clear here, none of this is actually her fault. She does what I assume she was asked to do in that film, and technically I'm sure she does it well. The problem is what she was asked to do. The problem is that someone wrote these scenes and the words said during them and thought it was a good idea. 

See, I know going into a film like this that accepting silliness is mandatory in order to enjoy the picture. It is a superhero film based on a comic book about people living in a fictional world named Asgard wearing costumes and the one dude in particular carries a giant mythical hammer with him and throws it at his enemies, only for it to return to him like a boomerang. You can't enter the cinema for a movie like this and demand gritty no-nonsense realism, if you do you are setting yourself up for failure. Still though, there needs to be a limit on the amount of comedic bits that are forced into a less than two hour long film that still asks its audience to take the overall vision seriously.

Little moments pop up here and there throughout the entire movie that I find unsavory, but for the most part nothing so egregious that it actually ruins the entire experience. For whatever reason though the writers and director Alan Taylor felt the need to ramp up the amount of Kat Dennings in our lives to maximum overdrive. Enough already. With literally less than 20 minutes left to go in the film, Thor is facing off against the bad guys of the story, a race of creatures known as the Dark Elves, and I thought alright, this is where I end up blown away by breathtaking set pieces, amazing action sequences, slick direction and so on. This is where I leave the flaws behind and walk away from the film remembering the stunning conclusion that leaves me wanting more.

What actually happens during the last 20 minutes? Instead of anything I said above, we are treated to a non-stop barrage of cutaways from the action so we can be beaten over the head with comedy involving Kat Dennings and some intern assistant guy, running around, narrowly avoiding death and saying little quips regarding the situation. Why would I, or anyone, give a shit about what is happening with these inconsequential secondary characters during the most important sequences of the movie? Why isn't the entire focus at this point on Thor and his seemingly important plight to save the day yet again?

The moral of the story whether in regards to Kat Dennings or anyone else inside the world of Thor: The Dark World is please stop trying so hard to be funny. When you try too hard, it is noticeable and thus it is far less funny than if you space these moments of relief out and make them mean something. The Avengers was clever and funny because Whedon had such a confident grasp of the material and knew exactly when to deliver a hearty chuckle, a moment to break up the chaos and carnage that made up every second of the previous ten minutes.

Thor: The Dark World is a pretty darn decent, fun film that should and could have been so much more, and you know what? I have picked on Kat Dennings far too much in this review. Time to call out another problem here. Stellan Skarsgard, put your damn pants on. A scientist in his briefs isn't inherently funny, if that is all a writer has in his comedic bag of tricks he needs to invest in some better material.

2.5/5

Iron Man 3 Review

After the misguided handling of Iron Man 2, not to mention coming off of the high of the nearly perfect execution of a superhero film with The Avengers a year earlier, I was excited that the reigns of the franchise were handed off to a new voice in Shane Black. I can't say for sure whether Jon Favreau was really to blame at all for the failings of the second installment but regardless, a new voice and vision was appreciated. I still recall the first time I saw the trailer for Iron Man 3 and a shockingly dark tone seemed to hang over every frame. I was so damn excited that the character was going to shy away from some of the ridiculous comedy and instead focus on the serious side of the saga of Tony Stark.

Well...almost. Things do indeed get serious with the exploration of what troubles a superhero could face when dealing with PTSD, and some breathtaking dramatic set pieces absolutely thrill in ways the franchise never had before. Damn it though, those villains. Both the strange twist involving the Mandarin and the Extremis folk. I just can't comprehend some of the villain choices in these Marvel films.

First let me clarify my issue with the Mandarin twist. It isn't the concept of the twist itself that bothers me, because I am all for keeping an audience on their toes and doing something unexpected. What troubles me is the sudden, jarring tonal shift that takes place, going for completely bad ass terrorist to...well, that. Jokes land with a thud instead of a laugh and I couldn't help but scratch my head at not so much the idea but the execution of it. After coasting with joy for much of the movie up until that point, the way the Mandarin character was handled was unfortunate and revisits haven't changed my opinion of this. I still don't get it.

What might be even worse than the way they handled that one specific character is what it meant for the big picture of the story. By pushing aside what was by far the best villain Iron Man had faced thus far in a solo effort, we are left with Guy Pierce and his glowing band of misfits, and frankly nothing about this crew is compelling in any way. From the opening scene that takes place in 1999 to the modern day handsome version, the character of Aldrich Killian did absolutely nothing for me throughout. Yet still the streak continued, as no solo film from the MCU had gotten the villain right yet. Someday though, right Captain America?

Still though, the overall completed picture is a massive upgrade from the previous film, with a far more likable and believable turn from Robert Downey Jr. as Tony Stark/Iron Man. In fact his performance in Iron Man 3 is the best of his work thus far in the universe, and with the assistance of flat out amazing sequences like the attack on his home and, of course, the Air Force One rescue, I can easily recommend Iron Man 3 as a pretty joyous blast of a picture.

I just wish it had a damn good villain like the trailer indicated. Without that misstep, this would have been up there competing for the best entry into the MCU to date.

3.5/5

Captain America: The First Avenger Review

Of all the pre-Avengers phase one films in the Marvel Cinematic Universe, I am still so impressed by Captain America: The First Avenger every time I see it. Its aesthetic is stylish, its pacing a perfect flow thanks to a balanced blend of character development and fun to watch action. The World War II setting is such a unique and fascinating backdrop for a super hero origin story, and by combining a piece of real world history with a fictional unstoppable man with a shield, the lines between reality and the pages of a comic book are blurred enough to make me buy in.

The story of Steve Rogers, a man who only transforms in body but has always had the heart and the bravery of a hero, is an easy one to become emotionally invested in and of the five solo films leading into the Avengers, Captain America: The First Avenger has always been my favorite. I am aware this means I am in the minority because I have come across a fair amount of unflattering discussion regarding this film, which surprises me. I try to see what others see because I feel the better I understand and appreciate differing opinions, the more I will learn about the medium as a whole, but not only do I not discover more flaws with each viewing of this movie, I end up liking it more and more.

Where the film does miss the mark a tad is with its villain because frankly, the Red Skull isn't all that compelling, but until the Avengers came along and Loki absolutely stole the show this was a common thread between the five solo films leading into it. They simply could not present anything more than an adequate at best bad guy, which is a shame because I find that an impressive antagonist is usually what puts a superhero film over the top.

This is mostly forgiven because of the strength of everything else though, especially the chemistry between Chris Evans in the lead and Hayley Atwell as Peggy Carter. Director Joe Johnston and the screenwriters really understand that ensuring the story and the characters that occupy it will resonate with the audience is far more vital than a constant onslaught of flashy special effects, loud noises and explosions. Don't get me wrong, Captain America: The First Avenger showcases all of those things at times, but it's the sincerity of the quiet moments that make it a winner for me.

4/5

Iron Man 2 Review

Right off the bat in this review I am going to stir the shit, and I apologize for this, but I really mean what I am about to say. Ready? Okay, here it goes...

Iron Man 2 is the Jar Jar Binks of the Marvel Cinematic Universe.

I know, the whole bitch about Jar Jar thing is so damn played out and I agree. You can't turn a corner in a discussion regarding Star Wars: Episode VII online without someone making a "Maybe Abrams will bring Jar Jar back! LOL!" joke being made, and I need to be perfectly clear here, that isn't what I am trying to do. I am not laughing out loud as I write this, and that is precisely my point. Iron Man 2 cranks up the silly factor to 11 and is practically begging the audience to chuckle so hard it makes us slap our knee, but there is a problem. It isn't funny. At all.

It is a bit unfair to equate this entire film to an annoying, pointless, terrible character from another franchise because not everything in Iron Man 2 is misguided. When it actually attempts to portray a serious narrative, it succeeds and I am locked in during these moments, but unfortunately it spends so much time trying to be wacky and "fun" that it mostly fails as a complete movie. The reason I couldn't help but think of good ol' Jar Jar during this revisit was because I ask myself the same question here as I did back when The Phantom Menace was released 16 years ago: Why?

Why so silly? Why so over-the-top? I completely understand and appreciate that the source material these films are based on are comic books featuring men in costumes fighting super villains, so expecting total realism is obviously not in the cards. Why did it have to go that far in the other direction though?

Robert Downey Jr. is just as charming and perfectly suited to play the role of Tony Stark as ever, but that is another prime example of why the screenplay fails in Iron Man 2. Even his wit and clever banter is often times falling on my deaf ears because I had to tune out the terrible villain performance from Sam Rockwell the scene prior. I love Sam Rockwell and when I hear his name, I immediately think of his masterful turn in the science fiction film Moon. I will choose to pretend this nonsense isn't even actually on his résumé. On the other hand, a welcome bright piece of the Iron Man 2 puzzle is the introduction of Natasha Romanoff, a.k.a. Black Widow (Scarlett Johannson). Her role in this film is refreshing and interesting, a nice break from the cringe inducing comedic dialogue that is otherwise so prevalent here, and we now know just how important to the entire universe of movies her character proves to be. 

Iron Man 2 has always been my least favorite effort from the MCU and that has not changed a bit. I have no hatred in my heart for anything relating to this franchise as I have had some fun with even the lesser efforts like this, but the tone of this film is something I have never been able to understand.

2/5

Thor Review

Some films grab you early on with a killer first act that instantly promises something special. Thor doesn't.

Some films don't kick it into high gear until the final act, with a stunning conclusion that elevates the entire work to a new level. Something I like to refer to as The Phantom Menace effect, you walk out of the theater buzzing about the end and you forget entirely that almost everything before it wasn't very impressive. Thor isn't one of those films.

My biggest problem with Thor, a fun slice of cinema that I like but certainly do not love, is that the middle portion of the movie is by far its strongest section. The way we first meet these characters is lackluster at best and the way we say goodbye to them is a major disappointment. In the end I couldn't shake a feeling of being entertained but let down, reflecting on the many scenes that were done so right and yet the complete vision just didn't rise up to expectations.

Once the material allows the performance to make us give a shit, we do because the characters start to get fleshed out and what we see is endearing. Forget throwing hammers and running down Asgardian Mario Kart Rainbow Road, give me more scenes in which the aesthetically pleasing couple of humans known as Chris Hemsworth and Natalie Portman are sitting next to a fire and start to connect on a deeper level. These are the type of sequences that are needed in a work of absurdity like a super hero comic book film, the moments in which the characters feel like real human beings and not just actors in ridiculous costumes. Unfortunately they are few and far between in Thor, giving way to more silly humor that isn't very funny and action sequences that don't exactly get my pulse racing.

Thor is a solid entry in the Marvel Cinematic Universe, not even remotely close to their best achievement but also a whole lot better than its worst. Entertained? Certainly, but it feels like it could have been so much more. 

3/5

Iron Man Review

While I am now an excitable fan of comic book/superhero films just like the vast majority of the planet, not long ago I was completely in the dark regarding the sub-genres as a whole. I literally did not see a moment of the first set of films from the Marvel Cinematic Universe until a month or two before the release of The Avengers, when I decided to see what all the fuss was about.

I quickly ran through the five preceding films, learning about the characters, discovering their connective tissue, exploring their worlds, and I realized what I was missing out on during those years of ignoring the existence of characters like Iron Man, Thor, Captain America, and Hulk: a whole shit ton of fun. Are any of the Phase One films perfect cinema? Modern masterpieces dripping with rich subtext and art house sensibilities? Of course not. Hell, I think one of the movies is flat out bad, although the revisit coming soon will be approached with an open mind. The point is, I don't demand perfection nor do I desire losing sleep as I ponder the nuance of a movie about a guy in a cool metal suit. It's okay to crave simple, flashy fun.

Even with their shortcomings, films like the original Iron Man manage to warm my heart and put a giant smile on my face because I look over at my daughter and realize that in this moment, she thinks the images on the screen are the coolest thing imaginable. At one time, I was that kid too. I refuse to let go of the part of me that still recognizes and cherishes that, the part of me that holds those memories near and dear, the days when the sights and sounds of cinema felt like a magic trick and I didn't even feel compelled to peak behind the curtain. 

I just wanted to see it again and behold the wonder of it all. 

4/5

50 Best Films of 2014 - #10 - #1

10. Guardians of the Galaxy

Not only a top ten of 2014 entry, but easily my favorite movie from the Marvel Cinematic Universe. One of my biggest complaints about some of the other films, specifically Iron Man 2 and Thor: The Dark World come to mind, were their attempts to be comedic yet completely failing at actually being funny. Thus I was concerned when I was told just how much of a comedy Guardians of the Galaxy would need to be, but boy did it deliver. Not just with laughs, with EVERYTHING. A joyous, exciting, heartfelt, clever blast of a picture.

9. The Babadook

If you knew me well, you would know how unheard of this is for me. I have a real hard time connecting to a horror film, as I usually think an interesting premise and creepy trailer ends up ruined by the same stupid and predictable tropes, bad writing and excessive gore. The Babadook is an Australian horror film, and it's bloody friggin' brilliant. If you are simply looking to be spooked, it's scary as hell. If you are looking for depth and characters to actually care about, you cannot go wrong here. The Babadook is a meaningful metaphor wrapped in an intense and terrifying film, and it works on every level.

8. Birdman

A completely brilliant, unique cinematic experience, Birdman was a joy to watch for it's fascinating narrative and amazing performances, but it went to a whole other level due to the technical genius on display throughout. This is actually a difficult movie to explain, you just need to see it and decide whether it works for you or not. Some have called it artsy nonsense, pretentious, and silly. I call it one of the best and most original pictures of 2014. 

7. The Tale of The Princess Kaguya

I was already a massive fan of the legendary Studio Ghibli, with My Neighbor Totoro and Spirited Away being their two masterpieces so far. I officially have a third movie to welcome into that category. The Tale of The Princess Kaguya is a completely spellbinding, heartbreaking piece of cinema that for me, despite also loving How to Train Your Dragon 2 and The LEGO Movie (both of which were in the previous list of ten), is by far the best animated work of 2014. 

6. Whiplash

I still get the chills whenever I think about the last 10 or 15 minutes of Whiplash, the most memorable sequence from any movie released last year. Seriously, it's so electric it made the hair on my arms stand up. That isn't to say that the rest of the film was lackluster in any way. Whiplash was destined to be one of the 15 or so best of the year, and then that finale happened, and I can't stop thinking about it over a month after witnessing it unfold. That's the power of incredible cinema, and what Damien Chazelle crafted here is just that.

5. The Grand Budapest Hotel

The masterpiece I had always been waiting for from Wes Anderson, The Grand Budapest Hotel is gorgeous on so many technical levels and also a brilliantly clever comedy. I had no idea how good Ralph Fiennes could be in a comedic role, and it certainly isn't easy to execute the quirky and odd material of a Wes Anderson, but he absolutely nailed it. Seriously, his timing is so spot on perfect I felt like I was grinning from ear to ear anytime he occupied the frame. 

4. Interstellar

Big, bold and ambitious filmmaking. I am a sucker for it, always have been and always will be. I can forgive a flaw or two because I am so mesmerized by the spectacle of the whole experience, which explains why Christopher Nolan's Interstellar lands as the #4 movie of the year. It isn't a perfect film, I cannot lie, but with every ever so slight issue I have with it, I am in jaw dropping awe of EVERYTHING else that worked so damn well. I saw it twice in theaters, and I can promise you there will be 20 more viewings at home coming in the future.

3. Winter Sleep

By far my favorite foreign film of 2014, and one worthy of inclusion into the top 3 overall and yet Winter Sleep isn't even nominated by the Academy. Ah, such is the complicated and confused relationship I have with those people in charge of Oscar nominations, but so be it. I just hope the lack of recognition doesn't stop people from seeking out and watching this gorgeous picture, and while my voice is small and unimportant, it won't stop me from continuing to scream it from the rooftops: Winter Sleep is a triumph of cinema and easily the finest acted movie of the year.

2. Gone Girl

I can't stop falling more and more in love with the work of David Fincher. Just when I think I couldn't admire the man and his vision on a deeper level, here comes Gone Girl, another cold and calculated thriller that entertained me endlessly and made my skin crawl with its ominous tone and perfectly unsettling performances. Based on the incredibly popular novel by Gillian Flynn, one of the aspects of this movie that really elevated it to new heights was the screenplay by that very same writer, with Flynn adapting her own work. It's one thing to come in and chop apart the words of someone else, but to do it to your own? To have the humility and intelligence to say to yourself, yes I wrote this, but a lot of it doesn't work when translated to the big screen? That's really something special.

1. Boyhood

Life. It's a fucked up, weird, heartbreaking, devastating, fascinating and beautiful thing, and it was encapsulated so poetically and gorgeously by Richard Linklater. Watching Mason grow up really resonated with me on multiple levels. Not long ago I was a kid growing up dealing with the bizarre and bullshit issues that accompany adolescence, and yet now I sit here with a 7 year old daughter and I can't believe how fast time has gone. Watching twelve years go by over the course of less than three hours with such a graceful and natural fluidity really made me think about the fact that time is relentless. All we can do is accept it and enjoy the ride.

50 Best Films of 2014 - #30 - #21

On to the next ten, my #30 through #21 favorite films from 2014...

30. The Fault in Our Stars

I have made no secret of the fact that I am a big fan of this film, from the glowing review I wrote when I saw it in the theater last summer to the fact that I included Shailene Woodley in my personal choices for Best Actress of the year recently. I refuse to pretend the tears I shed from this story and the performances that carried it never fell from my eyes. A gut wrenching yet beautiful movie.

29. Selma

An expertly made biopic that nearly avoided all of the traditional tropes that make me roll my eyes at these types of films, Selma gets right what a movie like Unbroken got so, so wrong. Getting punched hurts, unless you get hit every two minutes for two straight hours, which was essentially the narrative of the latter. Eventually you are desensitized to the brutality and you just quit on the experience, where as in Selma, when it hits, it hits hard because it knows just when to land the blows. This is a pretty great and important film.

28. Finding Vivian Maier

A truly fascinating documentary about a eccentric and mysterious nanny who lived a secret, brilliant life as an absolutely amazing photographer. Despite her incredible artistic vision with the camera, she never showed a single picture to anyone, and her massive and breathtaking collection was finally discovered after she passed away. Not only does this film cover her life and her jaw dropping talent, but it asks a pretty important question as well: if someone goes to great lengths to hide something while they are alive, is it fair to show the world after they are dead? Or should privacy extend beyond the length of our lives?

27. Edge of Tomorrow

Easily one of the best surprises of 2014 for me, Doug Liman's Edge of Tomorrow seemed like a turd when I first saw the trailer, but after catching wind of a whole lot of positive word of mouth I gave it a shot. I'm glad I did. A smart, exciting and fun summer blockbuster, and say what you want about Tom Cruise but no one else could play a role like this so damn well. His personal life and religious beliefs aside, Cruise is still an outstanding talent and he demonstrated that again here, and the chemistry with Emily Blunt didn't hurt matters either.

26. John Wick

An action film starring Keanu Reeves titled John Wick? Well, this is obviously going to be terrible. The premise is what? His dog is killed so he gets revenge? You've gotta be kidding me, what a train wreck...

Much like Edge of Tomorrow, this is another example of why I shouldn't judge a work before I see it. John Wick is smart, intense, ultra-violent fun, and that silly premise about the dog makes total sense when framed inside the narrative. Not only does it make sense, it actually strongly resonated emotionally. Sure, if this was real life I would be disgusted with the type of killing spree he goes on as a result of a pet dying, but this isn't real life. This is a movie, an escape from reality, and inside this world I was rooting for John throughout.

25. The Guest

The Guest is a wonderful blend of neo-noir modern cinema and a completely ridiculous yet fun horror film from the 1980's. Carried by an incredibly charismatic lead performance from Dan Stevens and the perfectly executed vision of director Adam Wingard, this was one bad ass, tasty treat. Oh, and that last act Halloween school dance set piece with a brilliantly utilized fog machine? Absolutely amazing.

24. X-Men: Days of Future Past

I was pessimistic about how this film would turn out, what with the massive cast and ambitious to a fault sounding premise. I anticipated a jumbled, messy narrative. I was wrong. The latest X-Men installment was not only top notch superhero comic book fun, what impressed me the most about this movie was the patience it showed to make sure it told a story first, with the action and the special effects taking a back seat when they needed to. Thanks to this extremely impressive effort, I have no pessimism whatsoever about the follow up due out next year. Bring it on.

23. Calvary

Prior to seeing Calvary, I had heard it was a "dark comedy". This may be true, but I think a much more fair label would be a dark, meaningful drama with some comedy bits sprinkled in to ease the tension and lighten the mood. What Calvary does extremely well is explore the unfortunately twisted and uncomfortable relationship society has with the Catholic church thanks to the many documented cases of abuse, and also the tense nature of the role faith in general plays in our lives today. It's a shame that we have to be cautious of a man of the cloth, but given the track record, how could we not?

22. Enemy

What if you saw your exact double? Not just a person who resembles you, literally your exact twin that has no relation to you in any genetic sense. What would you do? 

I will tell you what you should do: watch Enemy immediately. Beware though, this doesn't play like a traditional film and the ending is both terrifying and utterly confounding.

21. Captain America: The Winter Soldier

2013 was a down year for the Marvel Cinematic Universe. Sure, I had some fun with Iron Man 3 and Thor: The Dark World, and neither were terrible films by any means, but after the high that was the first Avengers, they certainly felt like somewhat silly and underwhelming let downs. Well, the good news is 2014 turned out to be a banner year for the studio, with Captain America: The Winter Soldier coming first and being just so flat out awesome. After I saw it, I declared it was the best movie yet from the MCU and I stand by that...sort of. At that time it was, but (spoiler alert for the future of this list) a different 2014 release went above and beyond and soared straight to the top.

Next up, I will enter the top 20 of 2014. The image above is from an extraordinary little gem that I never saw coming.