Showing posts with label sam rockwell. Show all posts
Showing posts with label sam rockwell. Show all posts

Friday, April 10, 2015

Iron Man 2 Review




Right off the bat in this review I am going to stir the shit, and I apologize for this, but I really mean what I am about to say. Ready? Okay, here it goes...

Iron Man 2 is the Jar Jar Binks of the Marvel Cinematic Universe.

I know, the whole bitch about Jar Jar thing is so damn played out and I agree. You can't turn a corner in a discussion regarding Star Wars: Episode VII online without someone making a "Maybe Abrams will bring Jar Jar back! LOL!" joke being made, and I need to be perfectly clear here, that isn't what I am trying to do. I am not laughing out loud as I write this, and that is precisely my point. Iron Man 2 cranks up the silly factor to 11 and is practically begging the audience to chuckle so hard it makes us slap our knee, but there is a problem. It isn't funny. At all.

It is a bit unfair to equate this entire film to an annoying, pointless, terrible character from another franchise because not everything in Iron Man 2 is misguided. When it actually attempts to portray a serious narrative, it succeeds and I am locked in during these moments, but unfortunately it spends so much time trying to be wacky and "fun" that it mostly fails as a complete movie. The reason I couldn't help but think of good ol' Jar Jar during this revisit was because I ask myself the same question here as I did back when The Phantom Menace was released 16 years ago: Why?




Why so silly? Why so over-the-top? I completely understand and appreciate that the source material these films are based on are comic books featuring men in costumes fighting super villains, so expecting total realism is obviously not in the cards. Why did it have to go that far in the other direction though?

Robert Downey Jr. is just as charming and perfectly suited to play the role of Tony Stark as ever, but that is another prime example of why the screenplay fails in Iron Man 2. Even his wit and clever banter is often times falling on my deaf ears because I had to tune out the terrible villain performance from Sam Rockwell the scene prior. I love Sam Rockwell and when I hear his name, I immediately think of his masterful turn in the science fiction film Moon. I will choose to pretend this nonsense isn't even actually on his résumé. On the other hand, a welcome bright piece of the Iron Man 2 puzzle is the introduction of Natasha Romanoff, a.k.a. Black Widow (Scarlett Johannson). Her role in this film is refreshing and interesting, a nice break from the cringe inducing comedic dialogue that is otherwise so prevalent here, and we now know just how important to the entire universe of movies her character proves to be. 



Iron Man 2 has always been my least favorite effort from the MCU and that has not changed a bit. I have no hatred in my heart for anything relating to this franchise as I have had some fun with even the lesser efforts like this, but the tone of this film is something I have never been able to understand.


2/5



Tuesday, December 16, 2014

100 Favorite Films - #70 - #61

A continuation of my list counting down my 100 favorite films of all time.


70. Terminator 2: Judgement Day (1991)



I thought this was the coolest movie ever when I saw it as a kid. I think it is pretty damn cool as an adult, too.

Terminator 2: Judgement Day is one of those sequels that actually managed to rise above the original, and to be clear, I am a fan of the first one as well. The special effects were ground breaking and the action is intense and overwhelmingly fun, and the connection between a boy and a terminator actually managed to be pretty moving stuff. I revisited this film not too long ago and I had the biggest smile on my face, probably similar to the one I had back then.


69. A Man Escaped (1956)



My Review for A Man Escaped

On my previous list I included the film Stalker by Andrei Tarkovsky and I mentioned that he was quoted as saying the only two opinions he cared about with his film were Robert Bresson and Ingmar Bergman. A Man Escaped is a Bresson work that I treasure, a brilliant drama about a man named Fontaine, a member of the French Resistance who is incarcerated and vows to figure out a way to escape before his death sentence is carried out. Most of what happens throughout the film takes place inside his cell, making us feel just as claustrophobic and trapped as Fontaine, and the results are beyond riveting.



68. The Insider (1999)



Based on the true story of the controversy and chaos that surrounded an interview with Jeffrey Wigand on the show 60 Minutes, this is an expertly crafted film by Michael Mann. Wigand was an employee in the tobacco industry and he went against his confidentially agreement to do the interview, and the film highlights just how far a major corporation will go to keep their public perception from being tainted. Sure, the film is likely over-dramatized for entertainment purposes but that usually comes with the the territory for entertainment derived from true events. The Insider is a gem.


67. Moon (2009)




Duncan Jones may not be a household name like his father David Bowie, but his assured, compelling debut film Moon certainly put him on the map. A minimalist work of science fiction, a man named Sam Bell (played brilliantly by Sam Rockwell) is in the midst of a three year contract working on the moon, extracting a gas that has the potential to reverse the energy crisis taking place back on Earth. Back home a beautiful wife and daughter await him and Sam is eager to escape the isolation he feels from a lack of human interaction, but after an accident occurs secrets are revealed about the motivation of the company that hired him and his now questionable future.

An emotionally stirring, thematically rich film, if you haven't seen Moon yet check it out.


66. The Spirit of the Beehive (1973)




My Review of The Spirit of the Beehive

Perplexing, symbolic, and imaginative, The Spirit of the Beehive was the debut film by Victor Erice and is the influence behind Guillermo del Toro making the modern masterpiece Pan's Labyrinth. The film has a natural, gorgeous glow to it, as if you spend the entire feature stuck inside a beehive, and the concept of a child becoming lost in a film in order to escape her reality is one that really resonates with me.


65. Jurassic Park (1993)




One of the finest blockbuster films ever made, Jurassic Park is a cinematic spectacle that evokes terror and delight from the audience, and I still remember being totally in awe of every single moment when I saw it on the big screen as a child. Despite being released over twenty years ago now, nothing about this work feels dated and the special effects still completely hold up against more recently released summer fare. The magic of the park is still alive with every single viewing.


64. The Dark Knight (2008)




The single greatest superhero film ever made, Christopher Nolan's middle installment of his Batman trilogy transcends the sub-genre because in actuality it is a brilliant crime thriller that just so happens to feature iconic comic book characters. Heath Ledger is the definition of perfection in his turn as the Joker, a role that posthumously won him an Academy Award, and every gritty moment of The Dark Knight is top notch entertainment.


63. Modern Times (1936)




My Review of Modern Times

Charlie Chaplin brought quite a few fantastic silent features to the cinema, but for me none have more heart and imagination and entertainment value than Modern Times, a film filled with tons of laughs but also an emotional pulse that beats through the story and the central romance. Taking place during the Great Depression, the film is remarkably relevant even today as our recent economic recession makes the concept of love transcending financial wealth all the more poignant.



62. Fight Club (1999)




A film that is already firmly established as a contemporary classic, Fight Club is a remarkably entertaining social satire that is so expertly put together by David Fincher it almost defies logic. Honestly, I still recall the first time I saw a trailer for the film and I assumed I was going to absolutely loathe it. A club of dudes fighting each other in basements? Nothing could sound more boring, which is why my mind was blown when I actually got a chance to witness this unlikely masterpiece.



61. Full Metal Jacket (1987)





I know for many this is a film that is made up of a masterful first act and then a disappointing second, but I actually appreciate the entire experience that is Full Metal Jacket. Sure, the first half telling the story of Leonard Lawrence, nicknamed "Gomer Pyle" after quickly standing out to Gunnery Sergeant Hartman for all the wrong reasons, is far more memorable than the rest of the film. In fact it is probably one of the most memorable and beloved halves of a film in cinematic history, but I still admire the brutal anti-war sentiments of Stanley Kubrick that seep out of the narrative of the second half of the film.



The next list will continue on with #60 through #51. Above is an image from a film that will appear on that list.