Decades of Cinema - 10 Best of 2010 - Present

Previous decades lists are: 1920's, 1930's,1940's, 1950's, 1960's, 1970's, 1980's, 1990's and 2000's.

Here are my ten favorite films released between 2010 and today.

10. Inside Llewyn Davis 

The Coen brothers have been making amazing films for over 30 years, and their most recent example of this was the underappreciated 2013 gem Inside Llewyn Davis. Yet another movie by them that balances the laugh out loud comedy with a shocking amount of nuance, leaving bits and pieces to dig up with each revisit. 

9. Inception

The movie that single-handedly brought me back out to the cinema again after a multi-year hiatus following the birth of my daughter. One look at the trailer for Inception and I knew it would demand a giant screen, and boy did it. An incredible achievement from Christopher Nolan that is just as fascinating no matter how many times you see it unfold. 

8. Life of Pi

I don't have religion in my life, but every so often I feel like I find God in a film. Life of Pi is one of those experiences (with another one at the top of this list). This is a profoundly beautiful picture.

7. Cloud Atlas

Incredibly epic yet at times painfully intimate. Ambitious almost to a fault, but I forgive it. Cloud Atlas is a superb adaptation of a book that seemed impossible to translate coherently to film, yet it was done. I was blown away the first time I saw this film, and with each subsequent viewing my admiration grows.

6. Take Shelter

Director Jeff Nichols handles the subject of mental illness with grace and class and a stunning level of maturity considering it was only his second feature film. Michael Shannon wasn't even nominated for an Oscar for his lead performance, yet he not only should have been, he should have won the damn award. Take Shelter is brilliant and has one of the great endings in recent memory. 

5. Drive

I am a married heterosexual man, but I am not afraid to use the word sexy to describe Ryan Gosling in Drive. Seriously, Nicolas Winding Refn crafted a masterpiece here that is so damn, for lack of a better word, cool I can barely wrap my mind around it. From beginning to end I am intoxicated by the neon glow, the incredible score and the subtle but perfect performances. Drive is the type of movie that makes me wish I could create one of my own.

4. Boyhood

I never thought a film could capture the authenticity of life in such a way, but Boyhood is moving in its simplicity. It isn't a film about milestones, it is the story of those other days that mean so much but seem to slip through the cracks as time goes by. The underlying message is one that I found very powerful as I watch my own daughter grow up so fast: time is relentless.

3. Gravity

Sure, on the surface it's a film about a woman trying to survive a catastrophe in space, but what is really on display is so, so much more. Gravity is a heartbreaking but life affirming metaphor for grief and just how challenging to overcome it, and to say I was moved by the journey of Dr. Ryan Stone is an understatement.  

2. The Social Network

As a super fan of David Fincher, I don't say these words lightly: The Social Network is his masterpiece. The origin story of Facebook and its rise to internet domination doesn't sound appealing on paper, but it touches on familiar themes of loyalty and betrayal and it does so perfectly. The Oscar winning screenplay from Aaron Sorkin, the Oscar winning score from Trent Reznor and Atticus Ross, and the unfortunately not but should have been Oscar winning direction from Fincher, all of it added together is essential cinema.

1. The Tree of Life

The Tree of Life is not only my favorite recently released film, it is my favorite of all time, period. It is profound poetry in motion, a movie that literally taught me to embrace and appreciate the miracle of existence. 

So that's it, the end of my Decades of Cinema lists. I would love to hear some feedback on my picks from all of the decades, find out which ones you love, which ones you loathe and everything in between.

100 Favorite Films - #30 - #21

A continuation of my list of my 100 favorite films of all time.


30. La Jetee (1962)

My Review of La Jetee

An entire narrative told through still images and voice-over, an entire film lasting only 28 minutes, but it is an incredible science fiction film by Chris Marker. This worked served as the inspiration behind Terry Gilliam's 12 Monkeys, and while I often see people rank that film higher than La Jetee, I am not one of them. If you find an opportunity to check this one out, please do so. You certainly have the time to given its length, and it is a special little slice of cinema.


29. No Country for Old Men (2007)

My Review of No Country for Old Men

My first of two features by the Coen brothers in this very list of ten, No Country for Old Men is a masterful adaptation of the remarkable work of Cormac McCarthy and the film that inspired the name of my blog. An allegorical masterpiece with an ending that infuriated many with its lack of finality, but I not only defend the closing sequence, I think it is truly brilliant. In fact, I can't imagine a more fitting conclusion given it fits with the entire point of the narrative.


28. Cloud Atlas (2012)

My Review of Cloud Atlas

A truly unique, overlooked gem, the Wachowski siblings along with director Tom Tykwer managed to adapt a novel deemed impossible to do so, the work of the same name by author David Mitchell. It would be a shame if this film were remembered as being merely a box office disaster because unfortunately that is viewed as a reflection of its quality. Cloud Atlas is massively ambitious in scope and scale, a master class in the art of film editing as six separate stories are told throughout with fluidity and sublime pacing. Three hours has never moved so quickly, and I hope this is a work destined to gain appreciation with age.


27. Spirited Away (2001)

My Review of Spirited Away

The brush Hayao Miyazaki paints with is one that brings a smile to my face every single time, but none bigger than that earned by his masterpiece Spirited Away. An imaginative animated wonder, so much detail is packed into every single moment of this film that it is impossible to digest it all with one viewing, and not just in terms of storytelling but also the incredible craftsmanship of the animation, some of the finest ever achieved. If you resist animated films because you feel they are designed and directed only at children, stop what you are doing and seek out the work of the legendary Studio Ghibli.


26. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

My Review of Dr. Strangelove

Quite possibly the most accomplished and brilliant satire in cinema history, Dr. Strangelove is yet another film by Stanley Kubrick that has made my list. It's just so damn funny and shockingly relevant even today, as the content remains as clever and meaningful as it did back in the 1960's. Humor is something that can occasionally feel dated, as something that played well long ago may come up dry with a modern audience. Not so for this classic dark comedy.


25. The Shawshank Redemption (1994)

At one point years ago, when someone would ask what my favorite movie was, the answer was always The Empire Strikes Back...and The Shawshank Redemption. While no longer right there at the very top of the list, my love for this film still remains, a powerful story about finding hope in a hopeless place and the meaning of freedom beyond the simplicity of whether the prisoners are in serving time or out in a world unknown to them. The last thirty or so minutes of this work will always warm my soul without fail, an experience that never gets old.


24. Take Shelter (2011)

My Review of Take Shelter

One of the finest and most realistic looks at the profound challenges of mental illness, the film Take Shelter by Jeff Nichols showcases a breathtaking lead performance by Michael Shannon along with amazing supporting work by Jessica Chastain in the role of his wife. Much like the previously listed No Country for Old Men, this has a shockingly polarizing ending, and I say shockingly because I find only one interpretation to be valid yet I was surprised to see it debated by many. For me it is a moving moment using intense imagery to demonstrate the importance of comfort and having love by your side when you need it most. One of my absolute favorite closing scenes of a film I have ever witnessed.


23. The Big Lebowski (1998)

Here we are with that second Coen brothers film I eluded to earlier, their comedy classic The Big Lebowski was was just recently selected by the National Film Registry for preservation due to its cultural significance. Well deserved if you ask me, my favorite comedy of all time. So quotable, so memorable, such great characters, such a uniquely perfect script. I could practically watch this film on repeat and never grow tired of The Dude.


22. Inglourious Basterds (2009)

Not quite the masterpiece from the filmography of Quentin Tarantino...but close. Inglourious Basterds takes his ingenious script and runs with it, with every performance absolutely on point for the material. Some of the finest moments of this film, from the riveting opening sequence to the showdown in the basement bar, are so perfectly executed and could only be the work of one man. When you see sequences like these, there is never a doubt as to who crafted them. Only Quentin Tarantino could pull it off.


21. The Lord of the Rings: The Two Towers (2002)

My Review of The Two Towers

With these fresh in my mind after my recent six film journey through Middle Earth, The Two Towers is still the one that stands atop the rest. I cannot get enough of this installment, as every note is hit with perfection from beginning to end, never a misstep despite its daunting length and epic scope. Just thinking the words "Helms Deep" makes me grin like an idiot.

Only 20 films to go...or perhaps 21. I may just have to include a lame tie as a way to shoehorn in a choice much deserving of the honor. Either way, two more lists to come, and the image above is from a film that will be a part of the next group.

Take Shelter Review

My wife of 8 years is currently working on her master's degree, having the courage to go back and change the course of her life by pursuing a career in something she cares deeply about. Words can hardly describe how much I admire this, as I sit at a job each day that doesn't elicit even the slightest bit of passion from me, merely a countdown of hours, minutes, seconds until I can exit the building and pretend it doesn't exist. Her goal is to enter the world of social work, a focus on mental health, a fascination with trying to understand it and also the desire to show compassion for those suffering through such internal devastation.

The other day, she mentioned that an upcoming paper would be regarding the portrayal of mental health in a film, and a modern masterpiece immediately came to mind as the perfect subject matter for such an assignment. Take Shelter, the 2011 independent drama by the young auteur Jeff Nichols, is a work of extraordinary power and spellbinding performances, a tour de force master class in filmmaking that was even more stunning during this, my second viewing. The film follows a young family of three living a seemingly normal life in rural America, with one of the finest actors working today playing the role of Curtis, a hard working husband and father doing what he can to support a beautiful wife and daughter, the latter unfortunately having lost her ability to hear. Samantha, the wife and mother, is played by the amazing Jessica Chastain with strength and grace, an astonishing resiliency through tough times, a life of calm happiness shattered by the dreaded approaching storm.

Curtis begins experiencing nightmares littered with apocalyptic visions and moments of shocking violence involving the people he loves most, and the effects of these dreams carry over into his conscious reality. The striking thing about the unstable mind of Curtis is that he is aware enough to recognize the timing of this unfortunate progression, the realization that his mother began fighting a similar battle at the same age yet he can't stop himself from fearing the destructive storm that he believes is headed their way. Curtis risks everything, his job, his financial well being and worst of all his family as he becomes obsessed with building an elaborate storm shelter to ensure their safety.

I am an optimistic film enthusiast, as I enter every single work hoping to find aspects to embrace and often times I do, but what I feel is most often missing from our current cinematic world that revolves around massive budgets and box office receipts is the importance of storytelling. It seems so simple, the concept that a film is meant to deliver a compelling story to the audience, yet far too often a film will lack any semblance of this. Jeff Nichols understands what it truly means to take an audience on a journey, to form a deep connection with setting and atmosphere and characters, and his ability to deliver a narrative with patience and maturity without ever bringing us across the line into boredom is humbling and inspiring. What he delivered here with Take Shelter is flawless, a film that has all the makings of a true classic to be cherished for decades to come.

Plenty of films have been centered around mental illness, but rarely are they this emotionally draining and this expertly crafted. Nichols fabulously showcases the fact that Curtis may be suffering from the disease, but he is not the only victim of such a tragedy. The journey Samantha goes on during these perfectly paced two hours is one filled with heartbreak, with certain sequences being so emotionally draining that I wished I could crawl through the screen and just give her a damn hug, tell her everything would be alright even if I didn't believe the words myself. The loyalty she shows her husband at a time when running the opposite way would be so easy is beyond admirable. She accepts the unavoidable reality of what her family is facing and just when Curtis needs support the most, she is there to take his hand and show him that he won't be left to survive the storm alone.


5/5