Decades of Cinema - 10 Best of the 1950's

You can find my lists for the 1920's here, 1930's here, and 1940's here. It's time to cover the 1950's, a pretty incredible ten years of filmmaking.

10. Wild Strawberries

The brilliance of Ingmar Bergman can not be overstated. The man was a genius, and one of my favorite works of his is Wild Strawberries, a film that beautifully walks the line of real and surreal with grace and ease. This is without a doubt a far more accessible movie compared to some of his others, as we go on a journey with Isak Borg both in the literal and deeply personal sense as he drives a great distance and also reflects on his life and finds inner peace with himself along the way.

9. Ugetsu

Ugetsu is a tremendously beautiful, haunting ghost story that is celebrated for being one of the defining pieces from the Japanese Golden Age of Film. It is a mystical, magical fable that utilizes gorgeous cinematography to set an atmosphere that is impossible not to admire.

8. A Man Escaped

A man condemned to death in a Nazi prison camp in a then German-occupied France. Much of the film is spent inside the claustrophobic confines of a prison cell, and you can feel the walls closing in around him. The only way out is via escape and a plan is methodically put into place, and the tension is built brilliantly using sound and space. This Robert Bresson film is not only a masterclass in filmmaking on its own regard, but it has since been the inspiration for other major pictures including the Oscar winning Alfonso Cuaron picture Gravity. A Man Escaped is a must see.

7. Rashomon

A film that literally invented terminology referring to scenarios in which multiple eye witness accounts of a single event offer conflicting information. The Rashomon effect. This is a movie worthy of being described as spellbinding, as I cannot look away as I watch it. Rashomon is essentially perfect cinema on every possible level, yet it only ranks as my #7 of its decade. That's how great the 50's were.

6. 12 Angry Men

A sublime example of minimalism done right, 12 Angry Men almost entirely takes place in one room and yet the setting is probably more vital to the storytelling than any single character. A jury deliberates the fate of a man who has been charged with a murder, and the tension in the room is reflected by the climate outside. One of the finest examples of a film being carried by performances that I can think of.

5. The Night of the Hunter

In the review I wrote for Only God Forgives, I explain what is wrong with blindly following a site like Rotten Tomatoes or Metacritic without giving a movie a chance and making up your own mind. One of the biggest historical examples of thing is The Night of the Hunter, the only film ever directed by Charles Laughton. Why only one? Because it was panned critically out of the gate and was a commercial failure. Now you can't find an expansive list of the greatest films of all time without seeing The Night of the Hunter on it.

4. Paths of Glory

There have been a fair amount of hard hitting war films released since the dawn of the medium, but Paths of Glory is surely one of the greatest. One of a few examples of the genius Stanley Kubrick using his platform to artistically express his anti-war sentiments, the story here involves a group of soldiers who refuse to participate in an attack that is essentially suicide. Three of these men are chosen randomly to face a court-martial for cowardice. 

The first time I saw Paths of Glory, I was literally speechless when it ended. I then proceeded to immediately press play on the remote and watch the entire thing over again without even so much as standing up.

3. Rear Window

For the second straight list of my favorite films from a decade, Alfred Hitchcock will occupy two of the top three spots. Safe to say I am a fan, eh? The difference between the two sets of films is the 1940's variety, with Shadow of a Doubt and Rope, were two movies I had not even seen until relatively recently and I fell in love with as an adult. Here with Rear Window, the love is both due to the exquisite filmmaking and also the nostalgic feeling I get from seeing this so many times throughout my life. I cherished Rear Window nearly 20 years ago and I admire it even more today.

2. Singin' in the Rain

If I am ever even in a slightly dour mood, a little headache, a bad day at work, hell simply stubbing my toe would suffice, I can turn to Singin' in the Rain and everything will be just fine soon after I press play. I used to claim I hated musicals. I used to be an idiot. This is one of the great joys of cinema, a film that absolutely glows thanks to memorable musical numbers, amazing set pieces and tons of laughs. 

1. Vertigo

The best film of the 1950's is also one of my favorite of all time from any era. Vertigo sort of represents what cinematic perfection feels like for me because it was the first film I ever saw that made me understand what the word masterpiece meant. Not to mention the fact that when I lost my Vertigo virginity, I was a 14 year old boy so beautiful women were certainly in my wheelhouse. Probably explains why I was smiling like an idiot whenever Kim Novak was on the screen.

Next will be the 1960's, which will feature some of the finest films ever made.  

100 Favorite Films - #20 - #11

A continuation of my list of my 100 favorite films of all time.


20. The Godfather: Part II (1974)

One of the finest sequels in the history of film, The Godfather: Part II is actually the first one to ever win Best Picture at the Academy Awards and a deserving honor without a doubt. In fact, rarely is the merits of this film ever debated but rather the question of whether or not it is superior to The Godfather (spoiler alert for this list: I slightly prefer the first). Absolutely perfect epic crime storytelling.


19. Eyes Wide Shut (1999)

My Review of Eyes Wide Shut

The final masterpiece from the genius auteur Stanley Kubrick, the film Eyes Wide Shut was misunderstood before it was even released with a marketing campaign that seemed to sell the eroticism of its actually married real life stars rather than the actual point of the work. A downright eerie, unsettling, hypnotic, and literally nightmare inspiring piece of cinema, if you wrote this off upon its release as being a lesser Kubrick, it's time to revisit and reevaluate. The film is absolutely brilliant.


18. Boyhood (2014)

My Review of Boyhood

That's right, a film released in 2014 has made the top twenty of my all time favorites list. Boyhood is absolutely worthy, an almost indescribable experience crafted by Richard Linklater that feels so real and authentic, watching young Mason grow up before our eyes. It was impossible for me not to make every possible connection to this movie, as I connected with both the struggles of adolescence and also the difficulty of a parent, as at the age of 30 I am not that far removed with the child and teenager I once was, but I also have a 7 year old at home whom I am watching grow up seemingly far too fast. One of the finest aspects of this film that doesn't seem to get the credit it deserves is the editing, which is never flashy because it doesn't need to be but it allows a film that took 12 years to make flow with grace in a running time under three hours. Boyhood is an experience I can't wait to share with my daughter for years and years and years to come.


17. Star Wars Episode VI: Return of the Jedi (1983)

The final piece from the original Star Wars trilogy, Return of the Jedi is my least favorite of the three and yet still finds a spot in my top 20 films of all time. The key is that I word it "least favorite" rather than "worst", because this is a film I love, an adventure I have taken so many times before and will continue to on a regular basis. Was it a step down from The Empire Strikes Back? Sure, but how could it not be? Regardless, I still have a nostalgic joyous blast with this epic conclusion to the single greatest trilogy of all time.


16. Drive (2011)

My Review of Drive

Drive was released in 2011, and I didn't get a chance to see it until early 2012, and despite this being less than three years ago, I have seen the film literally 15 times. That isn't an exaggerated guess or made up number, honestly, 15 times I have sat on my couch and watched Ryan Gosling soak in the gorgeous neon glow of the streets of Los Angeles. Drive is a cinematic drug and I cannot get enough. The aesthetic, the score, the subtly nuanced performances...I knew within the first ten minutes that this would be a special film for me, and I was right.


15. Psycho (1960)

Alfred Hitchcock was the master of suspense, and quite possibly the finest example of this throughout his illustrious career came with the 1960 film Psycho, which has not lost even a bit of steam despite approaching its 55th anniversary. I recently read the novel of the same name that the film was adapted from, and it actually made my respect for the work of Hitchcock grow even bigger (which I didn't think was possible). It isn't that the source material was poor, in fact it is quite good, but the changes that were made as it was translated to the screen were done so perfectly, and this for me is the mark of a wonderful filmmaker. Hitchcock was clearly willing to use a majority of the book that he felt was on point, he was willing to admit that he shouldn't change EVERYTHING but rather only the small amount of pieces that he just felt could fit better...and the result is incredible.


14. Se7en (1995)

My Review of Se7en

Before I had any concept of who David Fincher was, he was keeping me awake at night with the disturbing thriller Se7en, as I was viewing it at an age that was probably inappropriately young for the material. The rain soaked streets set the somber mood that resonates throughout, and the concept is both deranged and endlessly intriguing: a serial killer showcasing his artistry through the deaths of those he deems worthy, those whom he believes have violated one of the seven deadly sins. While many other scenes are more memorable, I could watch Brad Pitt, Morgan Freeman and Kevin Spacey talk about the historical significance of these killings on repeat.


13. Metropolis (1927)

A silent science fiction wonder that was so far ahead of its time it's crazy, Metropolis knocked my socks off the first time I saw it, at a time when I unfairly associated the word "silent" with "boring". An entertaining, bizarre landmark of cinema that managed to blow my mind 80 some years after it's release. I can't even begin to imagine what it did for moviegoers when it was first unleashed onto the big screen.


12. Gravity (2013)

For many, the scientific inaccuracies or the "simplicity" of the story were enough to tarnish the appeal of the film Gravity, but not only did these inaccuracies not bother me, I find them completely meaningless, and there is nothing simplistic about the story being presented. Gravity is absolutely a survival story, but not one of astronauts in space but instead the survival of Dr. Ryan Stone as she searches for a reason to carry on after the tragic death of her young daughter. The cold vastness of space represents death, the glow and inviting nature of a beautiful Earth below represents life, and the obstacles faced by Stone symbolize the extremely painful burden one most carry with them when they are grieving.

I was emotionally wrecked the first time I screened this film, as I recognized the thematic depth of what was being portrayed immediately and I connected to it on so many levels. A major part of me thought of my own daughter sitting at home in that moment and just how awful it would be to not have her in my life. Another part of me was thinking about those people who share this level of grief as the character being portrayed, and my heart shattered thinking about their loss.

Gravity is one of the boldest, most original allegories regarding the subjects of grief and loss and moving on, and those questioning the position of satellites or whether or not the circumstances are "realistic" are missing the point of this cinematic miracle.


11. Singin' in the Rain (1952)

My Review of Singin' in the Rain

A film I look to when I need a little bit of joy in my life, Singin' in the Rain is an absolute classic, one that I almost never gave a chance to because of some ill-conceived notion that as a man I wouldn't be able to connect with a musical. I cannot stop smiling from beginning to end when I watch this picture, with iconic songs and magnetic performances, seriously, this is a treasured piece of the history of film. I never can take my eyes off of the screen and I find myself laughing out loud from beginning to end. Delightful.

Here we go, into the top 10. Well, top 11 actually, as a lame tie will rear it's ugly head in there to allow an extra slot for a film worthy of the recognition. Either way, the next list I post will conclude my favorite films of all time. The image above is one that will appear in my top 10 (11) films of all time.