Showing posts with label metropolis. Show all posts
Showing posts with label metropolis. Show all posts

Thursday, April 9, 2015

Decades of Cinema - 10 Best of the 1920's




In high school I took a film studies class and it opened my mind up to the idea that cinema was an art form rather than just an entertaining distraction. At one point during the class, our teacher announced that we would be watching the Alfred Hitchcock masterpiece Vertigo soon and one of the other students made their lack of excitement abundantly clear to the whole room. The teacher asked her to share her frustrations and she said "Isn't that movie old? Is it even in color?"

I never shared such concerns with that young lady, as I have always had an open mind for the history of film and even (gasp!) movies that were filmed in black and white. That being said, it wasn't until relatively recently, the past few years to be exact, that I really started to explore eras of cinema like the silent pictures of the 1920's. I now know what a shame it would be to ignore such a decade and write it off as "too old", as even 90 years later, so many movies from that era truly are treasures.

Thus I have decided to do a decades project, counting down the ten best films from each starting with the 20's.


10. Seven Chances



The silent era of film featured three comedic stars, all of which will be making appearances in this list of ten. One of those men was Buster Keaton and his film Seven Chances is a delight. The story revolves around a man named Jimmy Shannon (played by Keaton) who discovers that he stands to inherit seven million dollars from his grandfather as long as he is married by 7 P.M. on his 27th birthday, which just so happens to be the very day he discovers this news. 

The plot is absurd of course, but one shouldn't look to the silent era comedies for realism. What matters here is how funny Seven Chances is, because the slapstick material is executed wonderfully by Keaton and some of the set pieces are remarkably memorable.


9. Steamboat Bill Jr.



Two films down, two Buster Keaton entries, and much of what I said about Seven Chances would apply here because the style of comedy is the same and the execution is still top notch. If you are a fan of films from this era or Keaton in general and have not seen either of the two listed thus far, I do suggest you check both out. A lot of laughs to be had here.


8. Sherlock Jr.



That's right, make it three for three. Same as above only even funnier this time around, and the beauty of these Keaton films is their ability to fit into practically any schedule. Very short running times packed to the brim with fun.


7. Man With a Movie Camera



An experimental and groundbreaking film, Man With a Movie Camera is a non-narrative silent documentary and in order to truly appreciate it, you have to recognize the way it changed cinema forever. Featuring some breathtaking and exciting shots, this is a film that was way ahead of its time.


6. The Gold Rush



Obviously you knew this wouldn't be a list simply loaded up with Buster Keaton yet totally void of any Chaplin, right? One of the greatest entertainers of all time, Charlie Chaplin had a brilliant mind for comedic timing and delivery and also how to form a meaningful, emotional narrative around it. The Gold Rush is a wonderful example of all of this.


5. Sunrise: A Song of Two Humans



The work of F.W. Murnau is still for the most part unfortunately unseen by me, but one of the few efforts of his I have had the pleasure to witness is the silent classic Sunrise: A Song of Two Humans. Featuring a surprisingly dark and twisted premise about a man who plans to kill his wife so that he can run off with his mistress, what comes out of it is a powerful story of true, profound love, painful regrets and forgiveness. A film that can be described as beautiful in more ways than one.


4. Safety Last



I recall a discussion I heard about the two stars of the silent era, Buster Keaton and Charlie Chaplin. I have learned that it truly was a three horse race because Harold Lloyd was a gifted entertainer as well. I have seen a handful of his work now and without a doubt Safety Last is his finest achievement, so funny and some amazingly memorable moments (like the image above).


3. The General



Buster Keaton clearly wins the 1920's for me when it comes to most appearances in my top 10 of the decade, and The General is the finest of them all. As fast paced and exciting as the runaway train depicted in the movie, anyone who thinks silent film equals boring film needs to check this one out and honestly tell me they still feel the same when after it ends.


2. Metropolis




I recently made some adjustments to my 100 favorite films of all time list and I bumped the silent science fiction masterpiece Metropolis into my top ten...yet it is not #1 of its own decade, so you know something special is coming up next. Metropolis is a haunting, brilliantly strange film and it feels far more advanced than something that was released nearly 90 years ago. Directed by Fritz Lang, this remains a landmark piece of cinema to this day, and it only took roughly 5 minutes the first time I saw it to understand why.


1. The Passion of Joan of Arc



You don't merely watch The Passion of Joan of Arc, you experience it. Ranked as my #3 favorite film of all time, this silent wonder shows the trial and eventual execution of Joan of Arc and the lead performance from Renee Jeanne Falconetti is quite possibly the greatest and most emotionally arresting I have ever witnessed.

If and when you do decide to experience The Passion of Joan of Arc (and you should), make sure you watch the version that includes the Voice of Light musical composition by Richard Einhorn. I know I sound hyperbolic, but these words apply here: it is probably my favorite usage of music in a film ever. Absolutely perfect, and the film as a whole is the best of the 1920's. 




The next list will cover my ten favorite films from the 1930's. The image above is from one that will make the cut.



Friday, December 26, 2014

100 Favorite Films - #20 - #11

A continuation of my list of my 100 favorite films of all time.


20. The Godfather: Part II (1974)





One of the finest sequels in the history of film, The Godfather: Part II is actually the first one to ever win Best Picture at the Academy Awards and a deserving honor without a doubt. In fact, rarely is the merits of this film ever debated but rather the question of whether or not it is superior to The Godfather (spoiler alert for this list: I slightly prefer the first). Absolutely perfect epic crime storytelling.


19. Eyes Wide Shut (1999)




My Review of Eyes Wide Shut

The final masterpiece from the genius auteur Stanley Kubrick, the film Eyes Wide Shut was misunderstood before it was even released with a marketing campaign that seemed to sell the eroticism of its actually married real life stars rather than the actual point of the work. A downright eerie, unsettling, hypnotic, and literally nightmare inspiring piece of cinema, if you wrote this off upon its release as being a lesser Kubrick, it's time to revisit and reevaluate. The film is absolutely brilliant.


18. Boyhood (2014)




My Review of Boyhood

That's right, a film released in 2014 has made the top twenty of my all time favorites list. Boyhood is absolutely worthy, an almost indescribable experience crafted by Richard Linklater that feels so real and authentic, watching young Mason grow up before our eyes. It was impossible for me not to make every possible connection to this movie, as I connected with both the struggles of adolescence and also the difficulty of a parent, as at the age of 30 I am not that far removed with the child and teenager I once was, but I also have a 7 year old at home whom I am watching grow up seemingly far too fast. One of the finest aspects of this film that doesn't seem to get the credit it deserves is the editing, which is never flashy because it doesn't need to be but it allows a film that took 12 years to make flow with grace in a running time under three hours. Boyhood is an experience I can't wait to share with my daughter for years and years and years to come.


17. Star Wars Episode VI: Return of the Jedi (1983)





The final piece from the original Star Wars trilogy, Return of the Jedi is my least favorite of the three and yet still finds a spot in my top 20 films of all time. The key is that I word it "least favorite" rather than "worst", because this is a film I love, an adventure I have taken so many times before and will continue to on a regular basis. Was it a step down from The Empire Strikes Back? Sure, but how could it not be? Regardless, I still have a nostalgic joyous blast with this epic conclusion to the single greatest trilogy of all time.


16. Drive (2011)



My Review of Drive

Drive was released in 2011, and I didn't get a chance to see it until early 2012, and despite this being less than three years ago, I have seen the film literally 15 times. That isn't an exaggerated guess or made up number, honestly, 15 times I have sat on my couch and watched Ryan Gosling soak in the gorgeous neon glow of the streets of Los Angeles. Drive is a cinematic drug and I cannot get enough. The aesthetic, the score, the subtly nuanced performances...I knew within the first ten minutes that this would be a special film for me, and I was right.


15. Psycho (1960)




Alfred Hitchcock was the master of suspense, and quite possibly the finest example of this throughout his illustrious career came with the 1960 film Psycho, which has not lost even a bit of steam despite approaching its 55th anniversary. I recently read the novel of the same name that the film was adapted from, and it actually made my respect for the work of Hitchcock grow even bigger (which I didn't think was possible). It isn't that the source material was poor, in fact it is quite good, but the changes that were made as it was translated to the screen were done so perfectly, and this for me is the mark of a wonderful filmmaker. Hitchcock was clearly willing to use a majority of the book that he felt was on point, he was willing to admit that he shouldn't change EVERYTHING but rather only the small amount of pieces that he just felt could fit better...and the result is incredible.


14. Se7en (1995)




My Review of Se7en

Before I had any concept of who David Fincher was, he was keeping me awake at night with the disturbing thriller Se7en, as I was viewing it at an age that was probably inappropriately young for the material. The rain soaked streets set the somber mood that resonates throughout, and the concept is both deranged and endlessly intriguing: a serial killer showcasing his artistry through the deaths of those he deems worthy, those whom he believes have violated one of the seven deadly sins. While many other scenes are more memorable, I could watch Brad Pitt, Morgan Freeman and Kevin Spacey talk about the historical significance of these killings on repeat.


13. Metropolis (1927)





A silent science fiction wonder that was so far ahead of its time it's crazy, Metropolis knocked my socks off the first time I saw it, at a time when I unfairly associated the word "silent" with "boring". An entertaining, bizarre landmark of cinema that managed to blow my mind 80 some years after it's release. I can't even begin to imagine what it did for moviegoers when it was first unleashed onto the big screen.


12. Gravity (2013)





For many, the scientific inaccuracies or the "simplicity" of the story were enough to tarnish the appeal of the film Gravity, but not only did these inaccuracies not bother me, I find them completely meaningless, and there is nothing simplistic about the story being presented. Gravity is absolutely a survival story, but not one of astronauts in space but instead the survival of Dr. Ryan Stone as she searches for a reason to carry on after the tragic death of her young daughter. The cold vastness of space represents death, the glow and inviting nature of a beautiful Earth below represents life, and the obstacles faced by Stone symbolize the extremely painful burden one most carry with them when they are grieving.

I was emotionally wrecked the first time I screened this film, as I recognized the thematic depth of what was being portrayed immediately and I connected to it on so many levels. A major part of me thought of my own daughter sitting at home in that moment and just how awful it would be to not have her in my life. Another part of me was thinking about those people who share this level of grief as the character being portrayed, and my heart shattered thinking about their loss.

Gravity is one of the boldest, most original allegories regarding the subjects of grief and loss and moving on, and those questioning the position of satellites or whether or not the circumstances are "realistic" are missing the point of this cinematic miracle.


11. Singin' in the Rain (1952)




My Review of Singin' in the Rain

A film I look to when I need a little bit of joy in my life, Singin' in the Rain is an absolute classic, one that I almost never gave a chance to because of some ill-conceived notion that as a man I wouldn't be able to connect with a musical. I cannot stop smiling from beginning to end when I watch this picture, with iconic songs and magnetic performances, seriously, this is a treasured piece of the history of film. I never can take my eyes off of the screen and I find myself laughing out loud from beginning to end. Delightful.



Here we go, into the top 10. Well, top 11 actually, as a lame tie will rear it's ugly head in there to allow an extra slot for a film worthy of the recognition. Either way, the next list I post will conclude my favorite films of all time. The image above is one that will appear in my top 10 (11) films of all time.