Showing posts with label the wizard of oz. Show all posts
Showing posts with label the wizard of oz. Show all posts

Friday, April 10, 2015

Decades of Cinema - 10 Best of the 1930's




I began this journey of listing my ten favorite films from each decade with the 1920's (which you can see here). Now we head into the 1930's, these are the ten shining achievements from those ten years.


10. L'Atalante 



Written and directed by Jean Vigo, L'Atalante tells the story of the captain of a river barge who lives on the ship with his new wife Juliette, along with other members of the crew. Marriage can always be tough, but especially so in such close quarters and with the jealousy of the other men on the boat paying attention to the only woman they see. Eventually Juliette finds an opportunity to quietly exit the boat once it is docked and see Paris on her own, and this decision has troubling ramifications.

A poetic and visually rich film, at less than 90 minutes you can't go wrong with L'Atalante.


9. Vampyr



At the top of my last list, the ten best of the 1920's, you will notice my passionate admiration for the film The Passion of Joan of Arc. The man who created that masterpiece, Carl Theodor Dreyer, is back again here with Vampyr, a horror film that is far more effective of giving me the creeps than most modern genre efforts despite being over 80 years old. A strange, haunting piece of cinema and one of the ten best of the 1930's. 


8. Stagecoach



A game changer for the western genre and the breakthrough performance from legendary actor John Wayne, this John Ford classic has been regarded as one of the most influential films in history. If you watch it today, not much about it may seem special when compared to many of the great westerns released since, but it's possible none of those films would exist if it weren't for Stagecoach paving the way for them.


7. Partie de Campagne (A Day in the Country)



A beautiful, moving film from the brilliant mind of Jean Renoir that works wonderfully despite being quite literally incomplete. Running at a length of only 40 minutes, Renoir had plans to include more material but shut down production due to his dealing with a "creative block". It's quite amazing that his unfinished work is regarded as one of his best nonetheless. 


6. Duck Soup



I would be lying if I said I was very familiar with the work of the Marx Brothers', as I still have plenty to see, but Duck Soup is a terrifically funny film filled with various iconic comedic sequences. Another very short film, running just over an hour, this one is filled with laughs throughout.


5. Gone with the Wind



What needs to be said? A sweeping epic, one of the most famous films of all time. Gone with the Wind is big, beautiful, romantic cinema. Sure, it's long and bloated but honestly, it wouldn't be the same if it wasn't. Gone with the Wind deserves every one of its 222 minutes. It is a majestic picture and one of the finest of its decade.


4. City Lights



Buster Keaton may have won my 1920's list, but he will be entirely absent from this round of ten films where as Charlie Chaplin is the star this time around (hint: this isn't the last of him). The beauty of City Lights is the fact that it almost never happened the way we see it today, as he was in the midst of production when the talkie revolution took over cinema and it put pressure on the silent stars to adapt to modern times (look at that wordplay, another hint). 

Chaplin decided to finish the film the way it started, as another silent picture and thank goodness he did. City Lights is a wonder of a film.


3. The Wizard of Oz



Many people would list The Wizard of Oz in their ten favorite films of the 1930's. Hell, many people would likely list it in their ten favorite films ever made, and with that comes the assumption from others that it had been a beloved movie since they were a kid. The first time I saw The Wizard of Oz was literally 3 months ago, and despite being a 30 year old man at the time, I instantly loved it. A magical experience worthy of all the admiration it has earned over the years.


2. M



A psychological thriller that feels just as chilling and relevant today as I am sure it did when it was released in 1931. The pursuit of a child murderer on the loose and a bystander with the brilliant idea to literally make the top suspect with a letter M so he could be easily caught by the police, M is brilliant, eerie cinema. Also, neat little tie in to the previous list from the 1920's, this is the second consecutive appearance of a Fritz Lang film in the #2 spot. 


1. Modern Times



Ahhh here is that second Charlie Chaplin selection of the decade, and it is the best film of the bunch. Modern Times is such a delightful, perfectly crafted masterpiece and it is almost troubling how much it applies today despite being a representation of a society dealing with the great depression at the time it was released. Constantly laugh out loud funny and a touching love story that transcends their painful lack of financial resources. Modern Times is one of the great achievements in the history of film, and it is the best work of the 1930's.




The next list will cover my ten favorites from the 1940's. The image above is from one that is certainly worthy of the recognition.





Monday, December 22, 2014

The Wizard of Oz Review




Okay, I must start my review by revealing something that seems to shock absolutely everyone I tell: prior to this viewing, I had never seen The Wizard of Oz before. Clips of infamous scenes? Of course. Various sequences when someone I was with flipped it on TV, or when I entered a friends house and it was being enjoyed by the family? Absolutely. Technically speaking, I probably have seen a majority of the film before in brief portions over the years, but I have never sat down and actually screened the classic from beginning to end. 

Thirty years old and no Oz as a child? If I did watch it back then, I don't recall the experience. I had my handful of VHS tapes I would play practically on repeat, but this was not one of them. I actually found it quite amusing when I went to see the 2013 Sam Raimi film Oz the Great and Powerful and it occurred to me how odd it was that this was my first journey to the Land of Oz. It would be like going to see The Phantom Menace during its opening weekend and it being your first ever voyage into a galaxy far, far away.




One thing I was told whenever I discussed the oddity of my never seeing The Wizard of Oz before was that because I was now a grown man, I would probably not enjoy the film as much because the nostalgic warmth wouldn't be attached. When you cherish something as a child, it is more likely to attach itself to your cinematic soul regardless of age because it represents something more than just it being a good film. You recall the excitement of childhood, the happiness of sitting down with your family and viewing it as a tradition, the joy of a room full of people you love all feeling like they are in the exact perfect place doing the exact perfect thing. Therefore, despite this being a highly regarded and important classic, I had lower expectations because of my situation.

The Wizard of Oz proved to be a total delight, a film I loved instantly despite the lack of growing up with it. Perhaps it is because I was enjoying it with my daughter, as if I was starting the cycle over again by introducing the work to a seven year old as well as myself. Perhaps I envisioned the years to come when we could watch it over and over again together, the beginning of a new tradition, the joy of that perfect place and that perfect thing not just in this moment, but in future moments yet to be realized.




Imaginative characters, the warmth of great storytelling and shockingly striking visuals for a film released in the late 1930's, this really is the treasure that it is advertised to be. It's pretty remarkable to see a film like this and remind yourself that it came long before computers were used to help craft moments of fantasy, that this was simply the work of the human mind and the ingenuity it is capable of. 

Same time next year, Oz? I'll be there.





4.5/5