Showing posts with label oscar isaac. Show all posts
Showing posts with label oscar isaac. Show all posts

Thursday, May 14, 2015

Ex Machina Review




"The development of full artificial intelligence could spell the end of the human race." 

That quote is not from the brand new science fiction masterwork by Alex Garland Ex Machina but rather the honest and haunting words of Stephen Hawking. Consider that even if the movement towards such an era seems glacial, with each passing day the world is getting closer and closer to a time when machine is the equivalent of and eventually superior to man. Perhaps humanity and A.I. can coexist, even form strong personal and emotional bonds with one another. Perhaps the advancements we make will lead to a safer world. A healthier world. A world in which we live not only longer, but better as well. Hawking makes no guarantees with his ominous thoughts on what could happen. He only warns of the possibility that moving forward does not guarantee ideal results.

Still though...what if he's right?

I pondered this as I witnessed the deliciousness of Ex Machina unfold, with every word of the screenplay sublime, full of thematic richness and content so layered it clearly demands repeat viewings. In the back of my mind I wondered if I would be here to see the day when we will be able to look at our own technological creations and feel inferior. The brilliance of this film is that it may now be science fiction but throughout every single moment I could practically see it becoming science fact. In what is amazingly his directorial debut, Alex Garland creates a world that is both bright and dim, a world so crisp and futuristic and alive and yet it somehow also feels soulless and claustrophobic due to a lack of natural light. A world muted in tones of grey that is transformed into a piercing sea of red within seconds, as if we are being reminded that things may seem calm now but be alarmed: it won't stay this way.




Oscar Isaac, whom I continue to not only harbor a man crush for but it intensifies with each passing film, plays a vastly wealthy man named Nathan who runs the world's largest internet company, and one day he chooses a young employee, a coder named Caleb (Domhnall Gleeson) to be flown out to his home to participate in a top secret experiment. Caleb is welcome to just hang out and drink some beer and shoot the shit with Nathan, but in order to gain full access to what lies beneath he must sign a confidentiality agreement that what he sees, what he experiences must stay between them. It is here that we discover that Nathan isn't just working on developing the first ever true artificially intelligent being, it already exists. Her name is Ava.

I make no secret of my passionate admiration for real good science fiction and Ex Machina is even more than that. It is truly great cinema, featuring top notch performances, chilling cinematography and an eerie, perfect score. The dialogue is intelligent and thought provoking, the pacing is a perfect slow burn without ever feeling languid. God, with every word I write I want to watch it again more and more. Seriously, it's that great.




The plan is to perform an experiment to see if the artificial intelligence has reached the point of the technological singularity, the moment when we are no longer in control of robotics but rather they are capable of taking control of us. The chilling thought is, how will we know we have reached this moment until it is already too late? What if when we think we are testing out the A.I., it is actually capable of manipulating us?



5/5



Friday, February 6, 2015

A Most Violent Year Review




It's difficult to say exactly how I would elaborate on what exactly makes a great filmmaker, well, great. When I watch the work of a David Fincher or a Richard Linklater, I admire the fact that they have honed in on just what they do beautifully and with ease. I hope Fincher continues to bring his chilly and eerie atmosphere to perfectly crafted thrillers, and I want more of that deft Linklater hand when he forms realism in ways that I so easily fall in love with. So I guess I would say a great filmmaker figures out what works and utilizes it to make the best possible work going forward.

However, sometimes staying the course and being repetitive in style could easily be tossed around as a criticism for a director who isn't willing to break from an already established mold. I practically worship the talents of Paul Thomas Anderson because he is constantly going in different directions and nailing it every single time. In 2012 he unleashed the dramatic and brilliant The Master, and then he comes back this past year with the bizarre and comedic gem Inherent Vice. These are just recent examples, but throughout the career of P.T. Anderson he has stepped behind the camera for vastly different pictures time and time again, and I admire the bold confidence it would take to never simply settle into a comfort zone. This is precisely why I call Anderson this generation's Kubrick, the all time greatest auteur who managed to mold masterpieces from multiple genres.




Before I go upsetting people here, I am not comparing J.C. Chandor to any of the names mentioned above, not Fincher, Linklater, PTA and certainly not Kubrick. The reason I ponder these two different perspectives on directors and what makes them great is because after seeing two of his films, J.C. Chandor clearly does not want to follow a single stylistic mold and become comfortable with what was previously received well. Last year I was introduced to his work with the nearly dialogue free and yet riveting survival drama All is Lost, and yet only a year later we get to experience his talents go in a completely different direction with A Most Violent Year.

A film that feels almost out of place being released in 2014, a throwback to the work of Francis Ford Coppola and I've been told Sidney Lumet, because unfortunately my list of Lumet films I have seen is far too lackluster to make such a comparison, A Most Violent Year is deliberately paced yet never boring because it mixes in plenty of fantastic and exciting moments that blend perfectly with the narrative, and whoever was in charge of putting together the cast of this film knew exactly how to make it appeal to me. Oscar Isaac is one of my absolute favorite actors working today (his inclusion in the new Star Wars film made me almost literally jump for joy) and Jessica Chastain is a fantastic talent, to the point that when I see her name associated with a film I automatically give the project the benefit of the doubt. Watching these two perform side by side was delicious treat.




J.C. Chandor is two for two in my book, but he has yet to hit a home run. All is Lost and A Most Violent Year are equally close to transcending merely being great, and I have heard positive things about his first movie I have not yet seen, Margin Call. At 41 years of age, I can feel a true masterpiece brewing from this clearly gifted cinematic mind. I can't wait to see what's next.



4/5